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Expressive and vulnerable, Molly’s paintings read like an unpredictably eloquent dream journal. A cloudy haze of bright colors are expertly synthesized to evoke memories of a time and place which feel familiar, though ultimately unknown. As a skilled colorist, Molly creates abstract moments of nostalgia and sentimentality. Molly’s pieces are made up of experiences, both lived and imagined. She is able to capture small moments and transfer them onto canvas.
Amelia Galgon has lived and worked in Brooklyn since receiving her B.A in Art and B.S. in Computer Science from Lehigh University in 2017. Her work predominately focuses on the portrait and the figure and typically depicts close friends and family as well as her own self. Her most recent work uses the body as a vessel to play and experiment with line and color as a way of exploring queerness and her own queer lens. Her work has been featured in exhibitions across Philadelphia and New York City and in multiple online exhibitions, including with Tussle Projects, Visionary Art Collective, and Philadelphia Sketch Club. Most recently, she received the award for Excellence in Watercolor from Philadelphia Sketch Club in their 2021 Works on Paper Juried Exhibition.
Mary’s paintings raise a series of open-ended questions - they don’t demand an answer, but they do ask for your consideration. If you feel compelled to run your finger along the winding, maze-like line of one of Mary’s paintings, don’t worry - so do we (though we don’t recommend it - oily hands and oily paints don’t mix well.) Her take on abstraction is surprisingly tactile, with unique titles which inspire sensations, rather than literal representations.
Jane Kang Lawrence received her BFA from Mason Gross School of the Arts, Rutgers University. Following painting residencies in Italy she continued art making with teaching by pursuing her Masters from the School of Visual Arts. Jane has taught visual arts, ceramics, and visual literacy for students in NYC for 17 years. She is a Pulitzer Center teaching fellow leading to publication of a visual arts curriculum. Her most recent project is to curate the national I Like Your Work’s Summer 2022 Open Call. Jane is a founding director of Peep Space (Tarrytown, NY) and maintains a painting studio in New York City.
Marco DaSilva is a Brazilian-American artist whose symbol-based works explore hybridity through the intersections of painting and craft. His graphic style of making combines painting and collaging of objects, textures and mediums. His works use bright bold colors that investigate ritual and storytelling through a queer lens. He creates his own mythology in the process, providing a richly saturated landscape of his own world to the viewer.
My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
Lauren Portada currently lives and works in NY and NJ. She has exhibited nationally and internationally in New York, Chicago, L.A., India and Norway. She was one of ten founding members of the artist-run collective Regina Rex located in Brooklyn and Manhattan from 2010-2018. She held residencies in India (Fulbright), Svalbard, Norway, and Vidgelmir Cave, Iceland. Recent shows include Transmitter Gallery, BK (solo; 2019) The Pit, LA (2018) Kristen Lorello, NY (2018) and Trestle, BK (2020).
Warner Ball is a Michigan-based artist and graduate of Albion College, where he graduated with a focus in photography. Warner is a curator, as well as an artist, and enjoys coordinating meaningful collections of work that explore important topics like climate and identity. He employs a number of media, including photography and sculpture, to explore queerness and domesticity, the major conceptual foundation of his work for the past few years.
Hanna Brody lives and works in Brooklyn, NY. She graduated with a BA in Studio Art and Psychology from Lewis and Clark College in 2016. Her paintings embody friends, family, loved ones, herself, and those who surround her. She paints to evoke a sense of intimacy and understanding towards her subject’s emotions and psychological states. She uses layers of water based and oil paint to obscure and transform elements of her paintings, sometimes including multiple integrated angles to create a seemingly whole portrait. Through portraiture she explores themes of alienation and isolation as well as empathy and collective emotion. She has been a member of NYC Crit Club since 2018 and will be participating in a residency program with Dear Artists Projects this coming April.
Camilla Webster is not only a painter, but a best selling author and TED speaker whose creative enterprises have led her to success in many disciplines. Her artwork floats emotions and themes of current events in her emphatic abstractions. Camilla’s painterly style is guided by her previous work as a writer, evoking a narrative discourse within the textural lines of her body of work.
Dominick Hiddo is a self-taught visual artist born and raised in Flatbush, Brooklyn, New York. His work challenges the perception of all that we know and understand. While drawing inspiration from mysticism, religion, and cultural traditions of the world, he explores the concepts of enlightenment, death and the after-life, reincarnation, and the complexities of the human experience in all its constructs. He is directly inspired by the works of Joan Mitchell, Hilma af Klint, Kandinsky, Chagall, the Russian Avant-garde, and Asian Art. He currently serves on the Kingston Arts Commission. And he lives and works out of his studio in Kingston, NY
Joe Piscopia builds 3D shapes with 2D mediums. Informed by strongly contrasted lighting, Joe’s gradations bring every object, concept, or pattern to life in abstract forms. Shapes and colors document moments of thought and emotion in Joe’s life. Starting with a thought, a bird, or a single word, he intuitively explores from there into a realm of soft geometry.
Chancy Glance is the creative efforts of artist couple Cydney & Craig DeBastiani. Based in Morgantown, WV, these self-taught artists rely on intuition and spirit in their process. Creating work individually and collaboratively, Chancy Glance strives to invoke serenity and happiness through their work. They utilize mediums such as acrylic paint, watercolors, ink, graphite, clay, and other mixed media to deliver ever-changing and evolving works of art. Along with being artists, they are also musicians, photographers, actors, animators, and nature lovers.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
Every one of Rita’s artworks captures a unique feeling in a specific moment in time that she hopes to share with the viewer. Whether via abstraction or an impressionistic landscape inspired by the works of Claude Monet, Rita’s heavily textured oil paintings express a warm feeling of soulfulness and her loose brushstrokes leave the works open for spiritual interpretation.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
In the age of migration and multicultural families, no one has to be one thing - Winnie straddles three countries of Indonesia, China, and the U.S where she worked as educator as well as artist. In her mixed-media works, tropical and botanical motifs are not relegated as an exotic backdrop but intermingle with human bodies. Some motifs are more pronounced, like figures sitting in the position of or making hand gestures of Buddha. But Winnie's playful collage uses these pieces to resist the sense of a fixed origin, fully giving in celebrating rather than resisting the confusions of having multitudinous identities.
At its core, James' work is about intimacy. His sexual identity and personal relationships form a prism, through which the content of his paintings bend and refract as they examine intimacy between strangers. People on the street, the subway, and couples sharing private moments in public are all viewed from a queer stance to ask questions about loneliness, contact, and communication. By combining collected images and personal experiences, James creates composite sketches that repurpose the initial encounters captured in them.
Xanthippe Tsalimi is a Greek fine artist who resides and works in New York City. Xanthippe’s primary artwork consists of oil paintings, of different scales and formats. Her work is an amalgam of environmental and atmospheric abstracts; images that evoke mood, ranging from tranquility and solace, to turbulence and chaos. Her work is timeless and reflective, human presence is strongly implied and yet void within the composition. An experience of space and emotions, much like a not so distant memory or of a time that may or might not have come to pass.
Linda Lee Nicholas is a multidisciplinary artist who lives and works in New York. Her practice engages non-traditional processes in mixed media that speaks about nature, and the environment. Linda has a BFA from the School of Visual Arts, NYC and an MFA from Brooklyn College.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
Kevin is an abstract painter and collage artist utilizing techniques that emphasize the process of painting through making the artist’s movement and layering of material visible in the work. Color, shape and line are visual cues employed to spark memories and experiences that the artist hopes can relay a common shared experience with the viewer. An upstate New York native, Kevin resides and creates art in Middlesex County, Massachusetts.
Sunny Chapman retired from performing as a singer, & dancer, designing jewelry for stores like Barneys and Saks, activism and making documentaries to make art, a little jewelry and occasional poetry in Brooklyn and the Catskills. She was a street artist whose character Flower Face was published in the book Brooklyn Street Art. She resides in Williamsburg, Brooklyn, and in the Catskills. Chapman's studio art has been widely shown in galleries largely in the Northeast. Her art and poetry are published in books as well, her documentaries about Crisis Pregnancy Centers are distributed by The Cinema Guild. She is also the curator of the Birdhouse Gallery.
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
Born in Ohio, Lori Kirkbride is an artist currently living and working in New York City. Predominantly a painter who focusses on process based painting incorporating techniques using acrylic polymer to create surface with an emphasis on color. Lori received a BFA Ohio University 2001 and a MFA Pratt Institute 2003 and now maintains her studio practice in Ridgewood, Queens.
Gail Winbury’s work has been seen in museum and gallery exhibitions throughout the States, Germany, London, UK, Athens, Greece, and Italy. Winbury has had multiple one and two-person exhibitions including, 73 See Gallery, Montclair, NJ, The Frechard Gallery, Pittsburgh, Pa., The College of Morris, Randolph NJ, and The Henrich Heine Haus, Germany, among others.
Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
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