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Gwyneth Leech is a New York City based artist. Her paintings of high-rise construction express the optimism and anxiety of rapid change in the urban environment. She has been featured in solo and group shows throughout the United States and Great Britain and is the subject of a multi-award-winning documentary, The Monolith. Her paintings are in numerous private and construction industry corporate collections. She holds degrees from the University of Pennsylvania and Edinburgh College of Art in Scotland.
Marta is redefining abstract expressionism on her own terms. Her works are fun and experimental, spanning mediums and combining techniques such as painting, printmaking, digital art, and more. The bold, vibrant colors and focus on abstracted images come from an intuitive exploration of the interactions of colors, shapes, and textures in our world. Her works take the viewer to abstract worlds and imaginary lands. Originally from Warsaw, Poland, but since 2020, she is based in Summit, NJ. Marta discovered her passion for art in 2016 and since then she has studied art in art schools in Poland, the UK, and the US. Marta's artworks were exhibited during group shows in Europe and the US. Collectors of her work are also located on both continents. Apart from being an artist, Marta is also an intercultural trainer and coach
Warner Ball is a Michigan-based artist and graduate of Albion College, where he graduated with a focus in photography. Warner is a curator, as well as an artist, and enjoys coordinating meaningful collections of work that explore important topics like climate and identity. He employs a number of media, including photography and sculpture, to explore queerness and domesticity, the major conceptual foundation of his work for the past few years.
Justin Shull was born in Newport, New Hampshire in 1982 and currently lives and works in Traverse City, Michigan. Justin received a BA in Studio Art from Dartmouth College and a MFA in Visual Arts from Rutgers. His work has been exhibited and collected nationally, and he has won several national awards from the Joan Mitchell Foundation, the College Art Association, and the International Sculpture Center.
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Nina Meledandri is a painter and a photographer living in Brooklyn NY. As a painter she shows extensively throughout the NY area and was represented by the David Findlay Gallery in NY where she had two solo shows. As a photographer she has been published by the NY Times Magazine, Architectural Digest, New York Magazine and the Village Voice among others. Meledandri recently began making paper which she uses as a foundation for mixed media work. This body of work is strongly rooted in her love of the natural world.
Painter, sculptor, and musician Ryan Patrick Martin is one of those rare people who creates his own reality - one of playfully strange objects and environments. His works are often informed by an interest in sound synthesis, movement, vibrancy, multi-sensory experiences and an endless search to find humor and harmony in the slop.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
Joe Piscopia builds 3D shapes with 2D mediums. Informed by strongly contrasted lighting, Joe’s gradations bring every object, concept, or pattern to life in abstract forms. Shapes and colors document moments of thought and emotion in Joe’s life. Starting with a thought, a bird, or a single word, he intuitively explores from there into a realm of soft geometry.
Philippe calls his paintings “geographical abstractions”. He reconstructs recognizable details of an urban environment (angular shapes that look like construction debris or suggestion of skyscrapers, for example) according to his personal impression of pecific locations like New York, Aix-en-Provence, and Zurich. But Philippe doesn’t try to organize everything - where everything is fast, noisy, smelly, and overall so extra-, you gotta lean into the chaos and learn how to enjoy it.
Aaron Hillebrand currently lives and creates art in Ann Arbor, MI. Before moving back to his home state of Michigan, Aaron created art in New York City for 15 years. Aaron has an MFA in Fine Art from the School of Visual Arts (2022), a BFA in Photography from Parsons School of Design (2006), and an AAS in Photography from Lansing Community College (2002).
Morgan Hale is a Brooklyn based artist and weaver. She has a background in textile art and has been weaving since 2012. Morgan has exhibited in New York City, San Francisco, Boston, Tucson, through virtual galleries and was a recent recipient of a City Artist Corps Grant. In 2021 she wrote, illustrated and self-published a beginner’s weaving guide titled Weaving Untangled. Morgan teaches one-on-one weaving classes which take students through the process outlined in her book.
Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
Behind Allison Gildersleeve’s canvases, collages and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. Gildersleeve deliberately returns again and again to familiar settings – wooded areas, home interiors, open highways, back country roads – to show that repeated visits to the same place invariably result in wildly divergent depictions.
Chancy Glance is the creative efforts of artist couple Cydney & Craig DeBastiani. Based in Morgantown, WV, these self-taught artists rely on intuition and spirit in their process. Creating work individually and collaboratively, Chancy Glance strives to invoke serenity and happiness through their work. They utilize mediums such as acrylic paint, watercolors, ink, graphite, clay, and other mixed media to deliver ever-changing and evolving works of art. Along with being artists, they are also musicians, photographers, actors, animators, and nature lovers.
Xanthippe Tsalimi is a Greek fine artist who resides and works in New York City. Xanthippe’s primary artwork consists of oil paintings, of different scales and formats. Her work is an amalgam of environmental and atmospheric abstracts; images that evoke mood, ranging from tranquility and solace, to turbulence and chaos. Her work is timeless and reflective, human presence is strongly implied and yet void within the composition. An experience of space and emotions, much like a not so distant memory or of a time that may or might not have come to pass.
Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
If you’ve ever seen a sunflower that’s seemed to mutate and stretch in all directions (gardeners call it fasciation), you’ll recognise that odd, abstract beauty in nature that shines in Raúl Ortiz’s paintings. Raúl’s paintings strip away sections to reveal even more colorfully patterned silhouettes. Though his earlier works took the shape of natural subjects like flowers, more indistinct shapes take center stage, playing with repetition as well as vivid color.
Pundyk describes her process as working from “the inside out” as she gives form to her paintings on unstretched canvas and her photographs using color, shape, and texture. She is an artist and writer based in Mattituck and Manhattan. Her interest in creating an authentic expression through her materials is reinforced by her observation of the every-changing, rural North Fork landscape. She has recently shown at The Works Museum in Newark, OH and the BrownstoneArt Gallery in Brooklyn, NY. Her work has been reviewed in artcritical, The Brooklyn Rail, Hyperallergic, ART21 Magazine, and The Washington Post.
Cavier works in oil paint, music, installations, photography, and graphic design, using high contrast bold lines and vibrant color schemes. His love of the arts kicked off during his international modeling career, where he took an interest in photography. Soon, bright colors and boldness began to envelop clever commentary hidden within the saturated layers. His influences are Pablo Picasso and Jean Michael Basquiat, but his art it always uniquely “Cavier”. This originality has led him to be involved in projects such as magazine covers, galleries showcases, ad campaigns, art shows, store displays, and more. Always innovating, he continues towards his goal of becoming a household name.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
Robin Kang is a Brooklyn-based artist, educator, and student of ancient mystical lineages. Her art reinterprets the tradition of weaving within a contemporary technological context. Utilizing a digitally operated Jacquard hand loom, the contemporary version of the first binary operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mythic symbolism, computer related imagery, and digital mark making. The juxtaposition of textiles with electronics opens conversations of reconciling old traditions with new possibilities, as well as the relationship between textiles, symbols, language, memory and spirituality.
Expressive and vulnerable, Molly’s paintings read like an unpredictably eloquent dream journal. A cloudy haze of bright colors are expertly synthesized to evoke memories of a time and place which feel familiar, though ultimately unknown. As a skilled colorist, Molly creates abstract moments of nostalgia and sentimentality. Molly’s pieces are made up of experiences, both lived and imagined. She is able to capture small moments and transfer them onto canvas.
Gail Winbury’s work has been seen in museum and gallery exhibitions throughout the States, Germany, London, UK, Athens, Greece, and Italy. Winbury has had multiple one and two-person exhibitions including, 73 See Gallery, Montclair, NJ, The Frechard Gallery, Pittsburgh, Pa., The College of Morris, Randolph NJ, and The Henrich Heine Haus, Germany, among others.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
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