Blue Wall

This edition is an ode to post election stress relief, creating a “blue wall” to mark the changing of the guard with feelings of hope, optimism, with liberty & justice for all.

The artwork 'Embryonic Stage 3' features ethereal cyanotype prints in deep Prussian blue and white, creating abstract cloudlike formations reminiscent of ultrasound imagery. The composition showcases fluid, organic shapes with dramatic contrasts and dreamy, floating textures on paper. 24x19 inches. By Johanna Ryan.

Johanna Ryan

Embryonic Stage 3

$38 /mo | $320 Purchase

Dimensions: Height 24 in x Width 19 in. Medium: Cyanotype on paper

Dark Slate Blue untitled (pareidolia 005)

John Richey

untitled (pareidolia 005)

$88 /mo | $550 Purchase

Dimensions: Height 12 in x Width 12 in. Medium: two cyanotype prints on paper, physically cut and woven together by hand

Lavender "Untitled (Comfort of Companions)"

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Brandon Hodges

Untitled (Comfort of Companions)

$38 /mo | $350 Purchase

Dimensions: Height 14 in x Width 28 in. Medium: acrylic / acrylic spray paint / acrylic paint pen / oil stick on stretched canvas

Ketta Ioannidou

Black Rainbows IV

$88 /mo | $1,500 Purchase

Dimensions: Height 20 in x Width 16 in. Medium: Oil on paper (with white wooden frame on Japanese archival hinges)

The artwork 'Smell the Sea and Feel the Sky' by Christina Massey features an abstract composition of interwoven turquoise, blue, and green strips creating a dynamic seascape effect. Detailed black and gray organic patterns resemble coral formations, while textured elements in acrylic and linocut with threaded details add dimensional depth. White matting and frame complete the coastal-inspired piece. By Christina Massey.

Christina Massey

Smell the Sea and...

$88 /mo | $1,200 Purchase

Dimensions: Height 20 in x Width 30 in (artwork size), Height 25 in x Width 33 in (framed size). Medium: acrylic and linocut with thread on canvas and paper Price includes framing.

Janice La Motta

Blue in Green

$248 /mo | $6,500 Purchase

Dimensions: Height 60 in x Width 60 in. Medium: oil & oil pastel on canvas

The artwork 'My Last Painting Without Fish' features vibrant yellow and pink flowers beside a deep red ceramic bowl against a turquoise-blue background. The oil painting showcases loose, expressive brushstrokes creating a dreamy, impressionistic style with delicate floral details and subtle light reflections on the bowl's surface. 24x30 inches oil on masonite by Lauren Orscheln.

The artwork 'My last painting without fish' by Lauren Orscheln features vibrant watercolor-style strokes depicting yellow flowers and green foliage alongside a red ceramic bowl against a soft pink and turquoise background. Oil on masonite captures loose, expressive brushwork creating an impressionistic still life composition with harmonious color interplay. 24x30 inches by Lauren Orscheln.

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Lauren Orscheln

My last painting without...

$88 /mo | $1,300 Purchase

Dimensions: Height 24 in x Width 30 in. Medium: Oil on masonite

The artwork 'Drift' by Gail Winbury features dynamic abstract expressionism with bold brushstrokes in light blue, red, and black. Fluid movements create a sense of motion across the linen canvas, with textural elements achieved through oil paint, graphite, and charcoal. Ethereal passages of pale cream interweave with gestural marks and organic shapes, suggesting a floating, dreamlike quality. By Gail Winbury.

Gail Winbury

Drift

$148 /mo | $3,800 Purchase

Dimensions: Height 38 in x Width 38 in. Medium: oil, graphite and charcoal on linen

The artwork 'Course' by Shyun Song features a minimalist composition with a vibrant azure blue background intersected by a single vertical white line positioned slightly off-center. The oil on canvas painting creates a striking contrast between the bold monochromatic field and the precise geometric element, embodying contemporary abstract aesthetics. By Shyun Song.

Shyun Song

Course

$88 /mo | $1,500 Purchase

Dimensions: Height 24 in x Width 18 in. Medium: oil on canvas

Suejin Jo

Armada

$248 /mo | $6,000 Purchase

Dimensions: Height 30 in x Width 30 in. Medium: oil and acrylic on canvas

Winnie Sidharta

Beneath the Leaves

$300 Unframed | $540 Framed

Dimensions: Height 30 in x Width 22 in. Medium: Watercolor on paper

The artwork 'Composition No. 196' by Raul Ortiz features vibrant abstract patterns with coral-orange organic shapes against a bright blue background, bordered by lime-green gestural brushstrokes. Grid-like elements in silver and pink intersect the composition, while small turquoise accents create rhythmic movement throughout the 18x18 inch acrylic painting on linen.

Raul Ortiz

Composition No. 196

$88 /mo | $1,800 Purchase

Dimensions: Height 18 in x Width 18 in. Medium: Acrylic on Linen

The artwork 'Conflict (Diptych)' by Shyun Song features a minimalist geometric composition split into two panels. The left panel combines deep purple with a cream-colored triangle, while the right panel displays teal green with a geometric cream accent. Oil on canvas, the piece creates a striking contrast through bold color blocking and angular forms.

Shyun Song

Conflict (Diptych)

$148 /mo | $4,300 Purchase

Dimensions: Height 40 in x Width 30 in. Medium: Oil on canvas

Karen Nielsen-Fried

Unfolding As It Should

$148 /mo | $3,600 Purchase

Dimensions: Height 36 in x Width 36 in. Medium: Acrylic on wood panel

The artwork 'Starting the 16th Floor' by Gwyneth Leech depicts a construction site with workers in safety gear positioned atop steel beams and scaffolding. Vibrant orange and yellow tones contrast against a pale blue sky, while architectural elements including metal framework and temporary flooring create a dynamic urban composition. Oil on wood panel captures the raw energy of building development.

Gwyneth Leech

Starting the 16th Floor

$148 /mo | $4,250 Purchase

Dimensions: Height 18in x Width 24 in. Medium: Oil on wood panel

Christina Massey

Feeling Liberal

$88 /mo | $2,000 Purchase

Dimensions: Height 26 in x Width 34 in (artwork size), Height 27.75 in x Width 36 in. (framed size). Medium: acrylic, linocut and thread on canvas and paper

Bob Melzmuf

Waves #72

$148 /mo | $5,000 Purchase

Dimensions: Height 36 in x Width 36 in. Medium: Oil on canvas

The artwork 'Time Isnt Real I' by Morgan Hale features three square panels in vibrant blue linen, each displaying abstract white plaster formations arranged horizontally. The textural elements appear as geometric columns or bars against the rich blue background, creating a minimalist triptych composition. Handwoven linen and plaster, 9x9 inches. By Morgan Hale.

Morgan Hale

Time Isnt Real I

$88 /mo | $1,400 Purchase

Dimensions: Height 9 in x Width 9 in. Medium: Handwoven Linen and Plaster

Peter Colquhoun

Yellow Tulips

$148 /mo | $3,200 Purchase

Dimensions: Height 22 in x Width 23 in. Medium: oil on linen

Jessica Simorte

May Safe 6

~~$500~~ $400 Unframed | ~~$500~~ $645 Framed

Dimensions: Height 10 in x Width 8 in. Medium: watercolor on paper

The artwork 'The Face of Space, and Law' by Dom Hiddo features abstract geometric shapes with deep navy blue triangular forms radiating from a central red and gold sphere against a light blue background. Two circular rings float above, while dynamic paint splatters and gestural marks in orange and gold create energetic movement across the acrylic and oil composition on wood.

The artwork 'The Face of Space, and Law' by Dom Hiddo features a striking abstract composition with radial deep blue geometric shapes emanating from a central red circular element against a light blue background. Two circular forms float above, with textural golden accents and dynamic brushstrokes creating movement and depth. The acrylic and oil on wood painting measures 30x40 inches - by Dom Hiddo.

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Dom Hiddo

The Face of Space,...

$88 /mo | $2,000 Purchase

Dimensions: Height 30 in x Width 40 in. Medium: Acrylic and Oil on wood

Nina Meledandri

WEST

$148 /mo | $2,800 Purchase

Dimensions: Height 26 in x Width 29 in. Medium: oil, wax medium and graphite on canvas

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Bob Melzmuf

Waves #70

$248 /mo | $8,000 Purchase

Dimensions: Height 50 in x Width 50 in. Medium: Oil on canvas

The artwork 'Ford Short Bed Pick Up Truck 3' by Andrew Chan features a vintage pickup truck rendered in ink and watercolor. The truck displays a two-tone color scheme of tan and turquoise blue, with detailed line work capturing chrome accents and classic styling. The sketch-like quality emphasizes the rustic charm of the classic Ford vehicle, showcasing its distinctive 1950s design elements.

Andrew Chan

Ford Short Bed Pick...

$200 Unframed

Dimensions: Height 9 in x Width 12 in. Medium: Ink & watercolor

Linda Schmidt

Untitled (blue shade)

$148 /mo | $3,500 Purchase

Dimensions: Height: 28 in x Width 36 in. Medium: Flashe on Mylar

The artwork 'Seraphim 2 (Macaw)' by Elody Gyekis features vibrant blue macaw wings radiating outward in a symmetrical pattern against a golden damask background with intricate scroll patterns. The oil painting combines surreal avian elements with rich, metallic hues and detailed feather textures.

Elody Gyekis

Seraphim 2 (Macaw)

$88 /mo | $1,800 Purchase

Dimensions: Height 36 in x Width 48 in. Medium: oil on canvas

John Richey

untitled (screen 015)

$38 /mo | $440 Purchase

Dimensions: Height 9 in x Width 9 in. Medium: cyanotype print on paper

Petra Nimtz

Untitled

$100 Purchase

Dimensions: Height 10 in x Width 8 in. Medium: Matted, ink & pencil on paper, unframed

Gauthier Denoyelle

Astuce du Noyau

$300 Unframed

Dimensions: Height 10 in x Width 10 in. Medium: Marker, crayon and pencil on stretched canvas

Beth Barry

Wave Front

$148 /mo | $2,200 Purchase

Dimensions: Height 24 in x Width 24 in. Medium: Acrylic on Canvas

The artwork 'Corner of the Studio' by Peter Colquhoun depicts an artist's workspace with a dark wooden cabinet topped by a circular surface displaying art materials, brushes in a red holder, and framed artwork. A landscape painting hangs on the gray wall, while a checkered cloth drapes over the surface. Oil on linen, capturing intimate studio details with muted tones and masterful brushwork. By Peter Colquhoun.

Peter Colquhoun

Corner of the Studio

$348 /mo | $10,600 Purchase

Dimensions: Height 31 in x Width 41 in. Medium: oil on linen

Warner Ball

Five

$620 Unframed

Dimensions: Height 23 in x Width 34 in. Medium: Cyanotype on fabric

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Justin Shull

Winter Transit III

$88 /mo | $1,000 Purchase

Dimensions: Height 16 in x Width 16 in. Medium: Acrylic Gouache on Cradled Panel

Suejin Jo

Blue Orange Meltdown

$348 /mo | $12,000 Purchase

Dimensions: Height 60 in x Width 36 in. Medium: oil on canvas

The artwork 'Said and Done:we breathe' by Gail Winbury features an abstract composition dominated by ethereal turquoise and aqua blue brushstrokes against a neutral gray linen background. Fluid, organic shapes swirl across the canvas, with touches of black and subtle yellow accents. The oil paint application creates varying textures, enhanced by delicate silk thread embellishments, creating a dreamlike, atmospheric effect.

The artwork 'Said and Done:we breathe' by Gail Winbury features abstract expressionist composition in soothing aqua, turquoise, and pale blue tones swirling across linen canvas. Delicate silk thread embellishments add texture, while organic shapes and fluid brushstrokes create a tranquil, atmospheric effect. Oil paint application varies from translucent washes to bold gestures in this 38x38 inch piece.

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Gail Winbury

Said and Done:we breathe

$148 /mo | $3,800 Purchase

Dimensions: Height 38 in x Width 38 in. Medium: Oil and silk thread on linen

Bob Melzmuf

Waves #43

$148 /mo | $5,000 Purchase

Dimensions: Height 30 in x Width 40 in. Medium: Oil on canvas

Johanna Ryan

Johanna Ryan

What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
John Richey

John Richey

John Richey is a New York based visual artist who works between Brooklyn, NY and the Hudson Valley. His cross-disciplinary practice is process-driven and incorporates cyanotype, handmade video animations, and immersive installations using themes and images borrowed from various personal collections. He holds multiple degrees, has exhibited domestically and abroad, and was profiled in Artforum Internationals “Best of 2004”. Richey has held professional titles in New York at Marian Goodman Gallery, Greene Naftali Gallery, the Keith Haring Foundation, and Pace Gallery.
Brandon Hodges

Brandon Hodges

Brandon Hodges is a multi-disciplinary artist based out of Oakland, California. He expresses himself through drawing, painting, and by making collages out of trash found on the streets of his neighborhood and elsewhere. He currently lives with his dog (a pug named Kita) and two cats (Mazzy & Maya). When he’s not creating, you can find him reading, going to festivals & shows, camping, hiking, at the beach, or spending time with friends and family.
Ketta Ioannidou

Ketta Ioannidou

Although Ketta has worked in New York for a while now, the bleeding and blooming of colors in her oil paintings resemble the way water changes everything around it - perhaps the expanses of water that surround her home country Cyprus. Their ambient effect resembles memories as much as it does landscapes, ever moving and receding towards oblivion.
Christina Massey

Christina Massey

Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
Janice La Motta

Janice La Motta

Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
Lauren Orscheln

Lauren Orscheln

Seeing Lauren's large unstretched canvas as it hangs in the golden hour light is a poetic experience. As she brings out the canvases one by one and unrolls them, you can tell that she has a story to tell for each and every one. Then the shadows and ripples of the canvas blends in with the scribbles and stains of watercolor, the intensity of golden hour blurring outlines of objects. Also notice how she leaves graphite sketches underneath the paint. They are residues of time, the same way Lauren's paintings are footprints of memories and impressions.
Gail Winbury

Gail Winbury

Gail Winbury’s work has been seen in museum and gallery exhibitions throughout the States, Germany, London, UK, Athens, Greece, and Italy. Winbury has had multiple one and two-person exhibitions including, 73 See Gallery, Montclair, NJ, The Frechard Gallery, Pittsburgh, Pa., The College of Morris, Randolph NJ, and The Henrich Heine Haus, Germany, among others.
Shyun Song

Shyun Song

Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
Suejin Jo

Suejin Jo

Suejin Jo is a Korean born abstract painter who is based in New York. She’s had 22 Solo shows including “Migrqation_Passages” in John Molloy Gallery 2020. Jo’s work was written up in the NY Times, the Easthampton Star, the Southampton Press, Korea Daily, Art Tribune. Public collections include Memorial Sloan-Kettering Cancer Center, Library of Congress, WTC Memorial Museum, Chase Manhattan Bank, General Instrument Co., Hyundae Construction, PulMuWon Food Corp, Art in General, MANIF Korea. The State Department chose Jo's "Pontchartrain" to be included in 2012 Desk Calendar “Homage to American Women Artists”.
Winnie Sidharta

Winnie Sidharta

In the age of migration and multicultural families, no one has to be one thing - Winnie straddles three countries of Indonesia, China, and the U.S where she worked as educator as well as artist. In her mixed-media works, tropical and botanical motifs are not relegated as an exotic backdrop but intermingle with human bodies. Some motifs are more pronounced, like figures sitting in the position of or making hand gestures of Buddha. But Winnie's playful collage uses these pieces to resist the sense of a fixed origin, fully giving in celebrating rather than resisting the confusions of having multitudinous identities.
Raul Ortiz

Raul Ortiz

If you’ve ever seen a sunflower that’s seemed to mutate and stretch in all directions (gardeners call it fasciation), you’ll recognise that odd, abstract beauty in nature that shines in Raúl Ortiz’s paintings. Raúl’s paintings strip away sections to reveal even more colorfully patterned silhouettes. Though his earlier works took the shape of natural subjects like flowers, more indistinct shapes take center stage, playing with repetition as well as vivid color.
Karen Nielsen-Fried

Karen Nielsen-Fried

Karen Nielsen-Fried was born in Binghamton, NY. She is a graduate of Pratt Institute (Master of Professional Studies in Art Therapy) and Binghamton University (BFA). She pursued postgraduate studies at The Institute for Expressive Analysis (NY, NY) and at The National Psychological Association for Psychoanalysis (NY, NY). Her work has been exhibited widely in the NY metro area (among others: The Painting Center, NJ State Museum, SITE:Brooklyn, Equity Gallery, Denise Bibro Fine Art) as well as in Seattle, Philadelphia, Provincetown, and Chicago (where she is represented by Addington Gallery).
Gwyneth Leech

Gwyneth Leech

Gwyneth Leech is a New York City based artist. Her paintings of high-rise construction express the optimism and anxiety of rapid change in the urban environment. She has been featured in solo and group shows throughout the United States and Great Britain and is the subject of a multi-award-winning documentary, The Monolith. Her paintings are in numerous private and construction industry corporate collections. She holds degrees from the University of Pennsylvania and Edinburgh College of Art in Scotland.
Bob Melzmuf

Bob Melzmuf

Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
Morgan Hale

Morgan Hale

Morgan Hale is a weaver and artist based in New York City. She studied at Massachusetts College of Art and Design and received a BFA in Fibers. Morgan has been weaving since 2012 and continues to expand her practice by exploring new materials. She has exhibited work in galleries across the US and has been an artist in residence at Haystack Mountain School of Crafts, Tabby Studio and High Desert Test Sites. In 2021 she received a City Artist Corps Grant to host an outdoor weaving demonstration in Brooklyn. This demonstration was part of New York Textile Month and the final weavings were given to members of the community through a free raffle. Morgan also teaches weaving workshops and is the author and illustrator of a beginner’s weaving guide titled Weaving Untangled.
Peter Colquhoun

Peter Colquhoun

Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
Jessica Simorte

Jessica Simorte

Jessica Simorte completed her MFA with an emphasis in painting at the University of Cincinnati’s College of Design, Architecture, Art, and Planning in 2014. She is currently living in Texas where she leads Sam Houston State University’s WASH program. She has shown regionally, nationally and internationally and has been included in numerous publications including New American Paintings, Art Maze Mag, and Maake Magazine.
Dom Hiddo

Dom Hiddo

Dominick Hiddo is a self-taught visual artist born and raised in Flatbush, Brooklyn, New York. His work challenges the perception of all that we know and understand. While drawing inspiration from mysticism, religion, and cultural traditions of the world, he explores the concepts of enlightenment, death and the after-life, reincarnation, and the complexities of the human experience in all its constructs. He is directly inspired by the works of Joan Mitchell, Hilma af Klint, Kandinsky, Chagall, the Russian Avant-garde, and Asian Art. He currently serves on the Kingston Arts Commission. And he lives and works out of his studio in Kingston, NY
Nina Meledandri

Nina Meledandri

Nina Meledandri is a painter and a photographer living in Brooklyn NY. As a painter she shows extensively throughout the NY area and was represented by the David Findlay Gallery in NY where she had two solo shows. As a photographer she has been published by the NY Times Magazine, Architectural Digest, New York Magazine and the Village Voice among others. Meledandri recently began making paper which she uses as a foundation for mixed media work. This body of work is strongly rooted in her love of the natural world.
Andrew Chan

Andrew Chan

If something were to capture the essence of an everlasting battle between Godzilla vs Megazord vs set to Tame Impala, it would be Andrew Chan’s work. His style is graphic and bold: like an indie comic dipped in encaustic wax, his artworks evoke nostalgia and pop culture references in a satirical take on consumerism.
Linda Schmidt

Linda Schmidt

In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Elody Gyekis

Elody Gyekis

Fairytales exist everywhere people have desires and dreams - and Elody is ready to listen to it. They may take the form of more traditional iconography like dragons and damsels, or something specific to the modern city like ghostly, faceless figures in the crowd. Both ways yield the view of human bodies as they are molded by images projected onto them by ourselves and by others.
Petra Nimtz

Petra Nimtz

My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
Gauthier Denoyelle

Everyone seems to be learning coding now, but it takes a deeply invested one to know the beauty of everything suddenly lining up towards a solution. That moment when a highly elaborate system starts to makes sense is what Gauthier's small drawings feel like. Having studied and worked in data science, his works don't merely evoke scientific concepts - they showcase scientific concepts. But instead of arguing to be completely abstract concepts, they also trace the time and effort taken to reach them, in faint pencil lines, little notes, and the blotted look of marker and crayon.
Beth Barry

Beth Barry

Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Warner Ball

Warner Ball

Warner Ball is a Michigan-based artist and graduate of Albion College, where he graduated with a focus in photography. Warner is a curator, as well as an artist, and enjoys coordinating meaningful collections of work that explore important topics like climate and identity. He employs a number of media, including photography and sculpture, to explore queerness and domesticity, the major conceptual foundation of his work for the past few years.
Justin Shull

Justin Shull

Justin Shull was born in Newport, New Hampshire in 1982 and currently lives and works in Traverse City, Michigan. Justin received a BA in Studio Art from Dartmouth College and a MFA in Visual Arts from Rutgers. His work has been exhibited and collected nationally, and he has won several national awards from the Joan Mitchell Foundation, the College Art Association, and the International Sculpture Center.

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Blue Wall

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