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What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
In the age of migration and multicultural families, no one has to be one thing - Winnie straddles three countries of Indonesia, China, and the U.S where she worked as educator as well as artist. In her mixed-media works, tropical and botanical motifs are not relegated as an exotic backdrop but intermingle with human bodies. Some motifs are more pronounced, like figures sitting in the position of or making hand gestures of Buddha. But Winnie's playful collage uses these pieces to resist the sense of a fixed origin, fully giving in celebrating rather than resisting the confusions of having multitudinous identities.
If something were to capture the essence of an everlasting battle between Godzilla vs Megazord vs set to Tame Impala, it would be Andrew Chan’s work. His style is graphic and bold: like an indie comic dipped in encaustic wax, his artworks evoke nostalgia and pop culture references in a satirical take on consumerism.
John Richey is a New York based visual artist who works between Brooklyn, NY and the Hudson Valley. His cross-disciplinary practice is process-driven and incorporates cyanotype, handmade video animations, and immersive installations using themes and images borrowed from various personal collections. He holds multiple degrees, has exhibited domestically and abroad, and was profiled in Artforum Internationals “Best of 2004”. Richey has held professional titles in New York at Marian Goodman Gallery, Greene Naftali Gallery, the Keith Haring Foundation, and Pace Gallery.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Chancy Glance is the creative efforts of artist couple Cydney & Craig DeBastiani. Based in Morgantown, WV, these self-taught artists rely on intuition and spirit in their process. Creating work individually and collaboratively, Chancy Glance strives to invoke serenity and happiness through their work. They utilize mediums such as acrylic paint, watercolors, ink, graphite, clay, and other mixed media to deliver ever-changing and evolving works of art. Along with being artists, they are also musicians, photographers, actors, animators, and nature lovers.
Jane Kang Lawrence received her BFA from Mason Gross School of the Arts, Rutgers University. Following painting residencies in Italy she continued art making with teaching by pursuing her Masters from the School of Visual Arts. Jane has taught visual arts, ceramics, and visual literacy for students in NYC for 17 years. She is a Pulitzer Center teaching fellow leading to publication of a visual arts curriculum. Her most recent project is to curate the national I Like Your Work’s Summer 2022 Open Call. Jane is a founding director of Peep Space (Tarrytown, NY) and maintains a painting studio in New York City.
Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
Joe Piscopia builds 3D shapes with 2D mediums. Informed by strongly contrasted lighting, Joe’s gradations bring every object, concept, or pattern to life in abstract forms. Shapes and colors document moments of thought and emotion in Joe’s life. Starting with a thought, a bird, or a single word, he intuitively explores from there into a realm of soft geometry.
Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
Cavier works in oil paint, music, installations, photography, and graphic design, using high contrast bold lines and vibrant color schemes. His love of the arts kicked off during his international modeling career, where he took an interest in photography. Soon, bright colors and boldness began to envelop clever commentary hidden within the saturated layers. His influences are Pablo Picasso and Jean Michael Basquiat, but his art it always uniquely “Cavier”. This originality has led him to be involved in projects such as magazine covers, galleries showcases, ad campaigns, art shows, store displays, and more. Always innovating, he continues towards his goal of becoming a household name.
Xanthippe Tsalimi is a Greek fine artist who resides and works in New York City. Xanthippe’s primary artwork consists of oil paintings, of different scales and formats. Her work is an amalgam of environmental and atmospheric abstracts; images that evoke mood, ranging from tranquility and solace, to turbulence and chaos. Her work is timeless and reflective, human presence is strongly implied and yet void within the composition. An experience of space and emotions, much like a not so distant memory or of a time that may or might not have come to pass.
Gwyneth Leech is a New York City based artist. Her paintings of high-rise construction express the optimism and anxiety of rapid change in the urban environment. She has been featured in solo and group shows throughout the United States and Great Britain and is the subject of a multi-award-winning documentary, The Monolith. Her paintings are in numerous private and construction industry corporate collections. She holds degrees from the University of Pennsylvania and Edinburgh College of Art in Scotland.
Christian Perdix is a German Postwar & Contemporary artist who was born in 1987.
A video and book artist-turned-painter, Troy still hasn't lost the wonder of new materials like toys, molding paste, and most recently flower-patterned plastic bags. Rather than playing fixed roles in a prefabricated play, his works together explore a constellation of loosely related sentiments like serious absurdity, the ineffable scale of cosmic time, surveyor marks, and rat traps around New York. These moments when existential issues suddenly intrude into everyday life or vice versa are most pronounced in the contrast between the digital hot pink he frequents and the scratched, worn out textures like peeled subway ads that accompany it.
Max Manning is an artist and educator who currently lives and works in Houston, Texas. He earned his Bachelor of Fine Arts in Two Dimensional Studies from Bowling Green State University in 2011 and his Master of Fine Arts from the University of Cincinnati in 2014. Max has exhibited work nationally and internationally and is currently represented by TW Fine Art in Brisbane, Australia.
Camilla Webster is not only a painter, but a best selling author and TED speaker whose creative enterprises have led her to success in many disciplines. Her artwork floats emotions and themes of current events in her emphatic abstractions. Camilla’s painterly style is guided by her previous work as a writer, evoking a narrative discourse within the textural lines of her body of work.
Eriko Hattori (they/them) is a Pittsburgh-based artist. Hattori uses imagery, symbolism, and folklore to investigate the tension between their queer identity and Japanese heritage. With a rotating set of avatars, these icons act as anchors for conversations about perversion, desire, and the fetishism of bodies. They also serve as ways to honor women yokai and demons in Japanese folklore.
Cecilia’s vibrant paintings are like pairs of mismatched socks that miraculously pull an outfit together. Diverging parts come together and create a satisfying wholeness, with an added touch of mystery. You could have a conversation with any one of her works, and it would likely respond to you by revealing an element of itself that you hadn't previously noticed.
Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
If you’ve ever seen a sunflower that’s seemed to mutate and stretch in all directions (gardeners call it fasciation), you’ll recognise that odd, abstract beauty in nature that shines in Raúl Ortiz’s paintings. Raúl’s paintings strip away sections to reveal even more colorfully patterned silhouettes. Though his earlier works took the shape of natural subjects like flowers, more indistinct shapes take center stage, playing with repetition as well as vivid color.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
W. Lu is an artist whose work explores the themes of mental health, climate change, and the ways in which identities - both cultural and personal - are created through the narratives we imagine and retell. She was born in Shanghai, China and grew up in Queens, NY, where she currently lives and works.
Evan works from his studio in East Williamsburg, the back wall neatly lined with tools and the slightly sour smell of wood in the air. Considering his sculpture and design background, his command of unusual materials like soot residue, concrete, and spray doesn’t come as a surprise. But you may be surprised when his minimal, even digital looking, compositions start to unfold in poetic layers-- “bracing practice” indeed.
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