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More is More

More is More

Don't be shy. Sometimes more is more.

Juniper

$650

Tassos

$700

Natalus

$148 /mo | $2,000 Purchase

We can still be...

$38 /mo | $900 Purchase

Structure

$38 /mo | $1,000 Purchase

Fatalism dances with hope

$38 /mo | $1,100 Purchase

Wavy Vibrations

$88 /mo | $2,500 Purchase

Loop-de-Bloop

$38 /mo | $1,000 Purchase
LET'S TALK ABOUT

What Inspired This Collection?

Densely packed, vibrantly colored,

Good Germs

$88 /mo | $2,800 Purchase

Unseen

$38 /mo | $600 Purchase

Adrift

$38 /mo | $500 Purchase

Arrival

$38 /mo | $500 Purchase

King

$38 /mo | $900 Purchase

The view from Luna

$38 /mo | $1,200 Purchase

Squeeze

$38 /mo | $2,000 Purchase

In The Distance

$38 /mo | $600 Purchase

In The Shadow

$38 /mo | $400 Purchase

PARTICIPATING ARTISTS

  • Debbi Kenote

    Debbi's works are sneaky in a sense that, instead of denying the existence of a frame, they subtly push against and peak out from it (have you noticed the pairs of eyes in some of her paintings?) Neat square pieces on the outer boundaries of the frame devolve into patterns, curves, and patches of sprayed paint. Some of Debbi's paintings actually look like puzzles, challenging you to play an active role - only to reveal that, in the end, her puzzles yield fun for the sake of it rather than a finished picture.

  • Sasha Hallock

    Sasha’s paintings are small but mighty. They sometimes look like fictional sculptures dropped onto the vacuum of vibrant color. Other times they’re like a clutter of found objects. In either case, disparate objects disappear in favor of a whole situation of motion and interaction, tinted with Sasha’s faith in the possibility of true harmony.

  • Ryan Patrick Martin

    Painter, sculptor, and musician Ryan Patrick Martin is one of those rare people who creates his own reality - one of playfully strange objects and environments. His works are often informed by an interest in sound synthesis, movement, vibrancy, multi-sensory experiences and an endless search to find humor and harmony in the slop.

  • Winnie Sidharta

    In the age of migration and multicultural families, no one has to be one thing - Winnie straddles three countries of Indonesia, China, and the U.S where she worked as educator as well as artist. In her mixed-media works, tropical and botanical motifs are not relegated as an exotic backdrop but intermingle with human bodies. Some motifs are more pronounced, like figures sitting in the position of or making hand gestures of Buddha. But Winnie's playful collage uses these pieces to resist the sense of a fixed origin, fully giving in celebrating rather than resisting the confusions of having multitudinous identities.

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