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There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
Sarah Canfield is a multidisciplinary artist working in painting, photography, mixed media and sculpture. She has exhibited widely in galleries and museums, including the Montclair Art Museum, the Morris Museum, the Pennsylvania State Museum, the Woodmere Art Museum, the Noyes Museum. She is an instructor at the Montclair Art Museum and Union County College. She graduated with a BFA, cum laude, from Alfred University. Sarah received a 2022 Fellowship from the New Jersey State Council on the Arts.
Gwyneth Leech is a New York City based artist. Her paintings of high-rise construction express the optimism and anxiety of rapid change in the urban environment. She has been featured in solo and group shows throughout the United States and Great Britain and is the subject of a multi-award-winning documentary, The Monolith. Her paintings are in numerous private and construction industry corporate collections. She holds degrees from the University of Pennsylvania and Edinburgh College of Art in Scotland.
Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
John Richey is a New York based visual artist who works between Brooklyn, NY and the Hudson Valley. His cross-disciplinary practice is process-driven and incorporates cyanotype, handmade video animations, and immersive installations using themes and images borrowed from various personal collections. He holds multiple degrees, has exhibited domestically and abroad, and was profiled in Artforum Internationals “Best of 2004”. Richey has held professional titles in New York at Marian Goodman Gallery, Greene Naftali Gallery, the Keith Haring Foundation, and Pace Gallery.
Nora Chavooshian studied sculpture at the Pennsylvania Academy of the Fine Arts and the San Francisco Art Institute. After graduating the Art Institute in 1974, she moved to Los Angeles. While continuing her artistry as a sculptor, she worked as an award-winning stage designer, designing sculptural sets. She progressed into the area of film production design, designing several films for director John Sayles, sculptural set pieces for director Martin Scorsese, videos for Bruce Springsteen and Madonna, as well as many other films and videos.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
If something were to capture the essence of an everlasting battle between Godzilla vs Megazord vs set to Tame Impala, it would be Andrew Chan’s work. His style is graphic and bold: like an indie comic dipped in encaustic wax, his artworks evoke nostalgia and pop culture references in a satirical take on consumerism.
Joe Piscopia builds 3D shapes with 2D mediums. Informed by strongly contrasted lighting, Joe’s gradations bring every object, concept, or pattern to life in abstract forms. Shapes and colors document moments of thought and emotion in Joe’s life. Starting with a thought, a bird, or a single word, he intuitively explores from there into a realm of soft geometry.
Aaron Hillebrand currently lives and creates art in Ann Arbor, MI. Before moving back to his home state of Michigan, Aaron created art in New York City for 15 years. Aaron has an MFA in Fine Art from the School of Visual Arts (2022), a BFA in Photography from Parsons School of Design (2006), and an AAS in Photography from Lansing Community College (2002).
Sunny Chapman retired from performing as a singer, & dancer, designing jewelry for stores like Barneys and Saks, activism and making documentaries to make art, a little jewelry and occasional poetry in Brooklyn and the Catskills. She was a street artist whose character Flower Face was published in the book Brooklyn Street Art. She resides in Williamsburg, Brooklyn, and in the Catskills. Chapman's studio art has been widely shown in galleries largely in the Northeast. Her art and poetry are published in books as well, her documentaries about Crisis Pregnancy Centers are distributed by The Cinema Guild. She is also the curator of the Birdhouse Gallery.
As a process-based artist inspired by Earth's ever-changing surface tensions, Renee explores the manipulation of paint, and layering of color, to achieve sculptural like results that droop, ripple, crack and pool on the canvas. Further engaging the elements of heat, wind, water and gravity, she pushes paint to its limit, allowing each color to display its individual ‘signature effect’, which is studied, layered and re-worked to reveal highly tactile and seductive surfaces that characterize her contemporary color field paintings.
Gail Winbury’s work has been seen in museum and gallery exhibitions throughout the States, Germany, London, UK, Athens, Greece, and Italy. Winbury has had multiple one and two-person exhibitions including, 73 See Gallery, Montclair, NJ, The Frechard Gallery, Pittsburgh, Pa., The College of Morris, Randolph NJ, and The Henrich Heine Haus, Germany, among others.
Neil Shapiro is a Director of Photography and Fine Arts Photographer. As Director of Photography, Neil has photographed many iconic national TV commercials. He has worked on over 2000 commercials, 10 short films, 50 music videos, and 2 motion pictures. When Covid caused a work stoppage, Neil channeled his creative energy towards photography. He recently signed with the Agora Gallery in New York and will have his first exhibition in 2024. Neil interestingly is an autodidact and never attended art school.
Ellery Harkness (b. 1999, San Francisco, CA) is an interdisciplinary artist and designer living and working in New York, NY. Through studio work, research and writing, her practice examines the ideas of collage and abstraction of the everyday as ways to explore politics of the environment and portraiture. She mostly works in painting, video installation, photography, and mixed media collage. Harkness graduated from Bowdoin College with a degree in Visual Arts, Art History, and a minor in Political Science.
Fairytales exist everywhere people have desires and dreams - and Elody is ready to listen to it. They may take the form of more traditional iconography like dragons and damsels, or something specific to the modern city like ghostly, faceless figures in the crowd. Both ways yield the view of human bodies as they are molded by images projected onto them by ourselves and by others.
Jane Kang Lawrence received her BFA from Mason Gross School of the Arts, Rutgers University. Following painting residencies in Italy she continued art making with teaching by pursuing her Masters from the School of Visual Arts. Jane has taught visual arts, ceramics, and visual literacy for students in NYC for 17 years. She is a Pulitzer Center teaching fellow leading to publication of a visual arts curriculum. Her most recent project is to curate the national I Like Your Work’s Summer 2022 Open Call. Jane is a founding director of Peep Space (Tarrytown, NY) and maintains a painting studio in New York City.
Justin Shull was born in Newport, New Hampshire in 1982 and currently lives and works in Traverse City, Michigan. Justin received a BA in Studio Art from Dartmouth College and a MFA in Visual Arts from Rutgers. His work has been exhibited and collected nationally, and he has won several national awards from the Joan Mitchell Foundation, the College Art Association, and the International Sculpture Center.
Evan works from his studio in East Williamsburg, the back wall neatly lined with tools and the slightly sour smell of wood in the air. Considering his sculpture and design background, his command of unusual materials like soot residue, concrete, and spray doesn’t come as a surprise. But you may be surprised when his minimal, even digital looking, compositions start to unfold in poetic layers-- “bracing practice” indeed.
Christian Perdix is a German Postwar & Contemporary artist who was born in 1987.
Alise Loebelsohn is an artist that got her start working as a mural and billboard painter in NYC.. She has transitioned into fine art by using her vast knowledge of materials to become a successful fine artist. She studied at Pratt Institute with a BFA in painting and the Art Students League. She has had several one person shows and her works are in numerous collections. She continues to expand her market by creating handmade scarves and works in glass.
My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Karen Nielsen-Fried was born in Binghamton, NY. She is a graduate of Pratt Institute (Master of Professional Studies in Art Therapy) and Binghamton University (BFA). She pursued postgraduate studies at The Institute for Expressive Analysis (NY, NY) and at The National Psychological Association for Psychoanalysis (NY, NY). Her work has been exhibited widely in the NY metro area (among others: The Painting Center, NJ State Museum, SITE:Brooklyn, Equity Gallery, Denise Bibro Fine Art) as well as in Seattle, Philadelphia, Provincetown, and Chicago (where she is represented by Addington Gallery).
Robin Kang is a Brooklyn-based artist, educator, and student of ancient mystical lineages. Her art reinterprets the tradition of weaving within a contemporary technological context. Utilizing a digitally operated Jacquard hand loom, the contemporary version of the first binary operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mythic symbolism, computer related imagery, and digital mark making. The juxtaposition of textiles with electronics opens conversations of reconciling old traditions with new possibilities, as well as the relationship between textiles, symbols, language, memory and spirituality.
Nikki was a musician most of his life. In 2014, he decided to teach himself painting by diving in headfirst with the approach of learning by doing. Embracing the unknown and trusting his intuition, he has been producing many works both haunting and decorative.
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