Free Shipping on all orders from the US or orders of $ 99 or more.
No Products in the Cart
Jacqueline Ferrante is a visual artist based in New York and Italy. Her work is rooted in a deep connection to the surfaces of the natural world, capturing their textures as a way to explore place, memory, and the passage of time. Through mark-making with locally sourced natural materials, Ferrante’s practice reflects the interplay between history and change, revealing the beauty of imperfection and the quiet stories embedded in the landscape.
Born in Ohio, Lori Kirkbride is an artist currently living and working in New York City. Predominantly a painter who focusses on process based painting incorporating techniques using acrylic polymer to create surface with an emphasis on color. Lori received a BFA Ohio University 2001 and a MFA Pratt Institute 2003 and now maintains her studio practice in Ridgewood, Queens.
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
Evan works from his studio in East Williamsburg, the back wall neatly lined with tools and the slightly sour smell of wood in the air. Considering his sculpture and design background, his command of unusual materials like soot residue, concrete, and spray doesn’t come as a surprise. But you may be surprised when his minimal, even digital looking, compositions start to unfold in poetic layers-- “bracing practice” indeed.
Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
New York based artist Jade Chan was born and raised in Amsterdam and is of Chinese heritage. She earned her BFA in Fine Arts from the Fashion Institute of Technology in New York in 2010. Jade has worked in fashion, graphic and web design prior to full-time commitment as an artist. Chan has lived and worked in Amsterdam, London and Hong Kong before settling in New York. She now works from a studio in Long Island City.
Seren Morey is a New York City based artist who makes sculptural paintings through extrusion, informed by quantum mechanics and fairy tales. Her biological/botanical hybrids reference the all-encompassing universality of particle energy.
John Richey is a New York based visual artist who works between Brooklyn, NY and the Hudson Valley. His cross-disciplinary practice is process-driven and incorporates cyanotype, handmade video animations, and immersive installations using themes and images borrowed from various personal collections. He holds multiple degrees, has exhibited domestically and abroad, and was profiled in Artforum Internationals “Best of 2004”. Richey has held professional titles in New York at Marian Goodman Gallery, Greene Naftali Gallery, the Keith Haring Foundation, and Pace Gallery.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Sunny Chapman retired from performing as a singer, & dancer, designing jewelry for stores like Barneys and Saks, activism and making documentaries to make art, a little jewelry and occasional poetry in Brooklyn and the Catskills. She was a street artist whose character Flower Face was published in the book Brooklyn Street Art. She resides in Williamsburg, Brooklyn, and in the Catskills. Chapman's studio art has been widely shown in galleries largely in the Northeast. Her art and poetry are published in books as well, her documentaries about Crisis Pregnancy Centers are distributed by The Cinema Guild. She is also the curator of the Birdhouse Gallery.
Nikki was a musician most of his life. In 2014, he decided to teach himself painting by diving in headfirst with the approach of learning by doing. Embracing the unknown and trusting his intuition, he has been producing many works both haunting and decorative.
Jane Kang Lawrence received her BFA from Mason Gross School of the Arts, Rutgers University. Following painting residencies in Italy she continued art making with teaching by pursuing her Masters from the School of Visual Arts. Jane has taught visual arts, ceramics, and visual literacy for students in NYC for 17 years. She is a Pulitzer Center teaching fellow leading to publication of a visual arts curriculum. Her most recent project is to curate the national I Like Your Work’s Summer 2022 Open Call. Jane is a founding director of Peep Space (Tarrytown, NY) and maintains a painting studio in New York City.
Eriko Hattori (they/them) is a Pittsburgh-based artist. Hattori uses imagery, symbolism, and folklore to investigate the tension between their queer identity and Japanese heritage. With a rotating set of avatars, these icons act as anchors for conversations about perversion, desire, and the fetishism of bodies. They also serve as ways to honor women yokai and demons in Japanese folklore.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Gail Winbury’s work has been seen in museum and gallery exhibitions throughout the States, Germany, London, UK, Athens, Greece, and Italy. Winbury has had multiple one and two-person exhibitions including, 73 See Gallery, Montclair, NJ, The Frechard Gallery, Pittsburgh, Pa., The College of Morris, Randolph NJ, and The Henrich Heine Haus, Germany, among others.
Marco DaSilva is a Brazilian-American artist whose symbol-based works explore hybridity through the intersections of painting and craft. His graphic style of making combines painting and collaging of objects, textures and mediums. His works use bright bold colors that investigate ritual and storytelling through a queer lens. He creates his own mythology in the process, providing a richly saturated landscape of his own world to the viewer.
Hanna Brody lives and works in Brooklyn, NY. She graduated with a BA in Studio Art and Psychology from Lewis and Clark College in 2016. Her paintings embody friends, family, loved ones, herself, and those who surround her. She paints to evoke a sense of intimacy and understanding towards her subject’s emotions and psychological states. She uses layers of water based and oil paint to obscure and transform elements of her paintings, sometimes including multiple integrated angles to create a seemingly whole portrait. Through portraiture she explores themes of alienation and isolation as well as empathy and collective emotion. She has been a member of NYC Crit Club since 2018 and will be participating in a residency program with Dear Artists Projects this coming April.
Cavier works in oil paint, music, installations, photography, and graphic design, using high contrast bold lines and vibrant color schemes. His love of the arts kicked off during his international modeling career, where he took an interest in photography. Soon, bright colors and boldness began to envelop clever commentary hidden within the saturated layers. His influences are Pablo Picasso and Jean Michael Basquiat, but his art it always uniquely “Cavier”. This originality has led him to be involved in projects such as magazine covers, galleries showcases, ad campaigns, art shows, store displays, and more. Always innovating, he continues towards his goal of becoming a household name.
Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
Tyler Sorgman is interested in exploring how the landscape can act as a symbol for the psychological. Sorgman’s recent work includes imagery of plant growth, mountain ranges, storms, and forest fires. A solitary home is often set into these imagined spaces. The scenes Sorgman creates are meant to feel both playful yet perilous; dreamy yet uneasy. Throughout Sorgman’s body of work, there is a play between flatness, depth, and the simplification of complex forms. He builds up layers of paint through repetitive marks and symbols, and sees their accumulation as a reflection of his thoughts, feelings, and anxieties at the time of each individual work’s creation.
Behind Allison Gildersleeve’s canvases, collages and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. Gildersleeve deliberately returns again and again to familiar settings – wooded areas, home interiors, open highways, back country roads – to show that repeated visits to the same place invariably result in wildly divergent depictions.
Ayane Kurai paints from the soul, rendering her subjects into soft abstraction. Painting is the most accurate form of her self expression. Marrying physical and mental she is able to emote with the world through her art. Ayane uses all senses available to her when working, combining all aspects of her subject to create a work that most accurately embodies everything about it.
Amelia Galgon has lived and worked in Brooklyn since receiving her B.A in Art and B.S. in Computer Science from Lehigh University in 2017. Her work predominately focuses on the portrait and the figure and typically depicts close friends and family as well as her own self. Her most recent work uses the body as a vessel to play and experiment with line and color as a way of exploring queerness and her own queer lens. Her work has been featured in exhibitions across Philadelphia and New York City and in multiple online exhibitions, including with Tussle Projects, Visionary Art Collective, and Philadelphia Sketch Club. Most recently, she received the award for Excellence in Watercolor from Philadelphia Sketch Club in their 2021 Works on Paper Juried Exhibition.
Chancy Glance is the creative efforts of artist couple Cydney & Craig DeBastiani. Based in Morgantown, WV, these self-taught artists rely on intuition and spirit in their process. Creating work individually and collaboratively, Chancy Glance strives to invoke serenity and happiness through their work. They utilize mediums such as acrylic paint, watercolors, ink, graphite, clay, and other mixed media to deliver ever-changing and evolving works of art. Along with being artists, they are also musicians, photographers, actors, animators, and nature lovers.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
By clicking the button you agree to our Privacy Policy and Terms and Conditions
Please login and you will add product to your wishlist
.png?v=1605721111)
