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Gwyneth Leech is a New York City based artist. Her paintings of high-rise construction express the optimism and anxiety of rapid change in the urban environment. She has been featured in solo and group shows throughout the United States and Great Britain and is the subject of a multi-award-winning documentary, The Monolith. Her paintings are in numerous private and construction industry corporate collections. She holds degrees from the University of Pennsylvania and Edinburgh College of Art in Scotland.
Every one of Rita’s artworks captures a unique feeling in a specific moment in time that she hopes to share with the viewer. Whether via abstraction or an impressionistic landscape inspired by the works of Claude Monet, Rita’s heavily textured oil paintings express a warm feeling of soulfulness and her loose brushstrokes leave the works open for spiritual interpretation.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.
Cecilia’s vibrant paintings are like pairs of mismatched socks that miraculously pull an outfit together. Diverging parts come together and create a satisfying wholeness, with an added touch of mystery. You could have a conversation with any one of her works, and it would likely respond to you by revealing an element of itself that you hadn't previously noticed.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Brandon Hodges is a multi-disciplinary artist based out of Oakland, California. He expresses himself through drawing, painting, and by making collages out of trash found on the streets of his neighborhood and elsewhere. He currently lives with his dog (a pug named Kita) and two cats (Mazzy & Maya). When he’s not creating, you can find him reading, going to festivals & shows, camping, hiking, at the beach, or spending time with friends and family.
Kati works from her Chelsea studio, serene and slightly aloof like her own paintings. It is easy to classify her as geometric abstraction, but she uses this style to a very specific end: to make “invisible things” visible. The subject of Kati’s work is abstraction itself and it is not a representation of anything that exists in the visible world. This gives the viewers the freedom to forget about preconceptions or contexts, and invites them to develop an independent, individual interpretation of the works. Aside from painting, she also works with digital mediums to make installations and videos.
Kevin is an abstract painter and collage artist utilizing techniques that emphasize the process of painting through making the artist’s movement and layering of material visible in the work. Color, shape and line are visual cues employed to spark memories and experiences that the artist hopes can relay a common shared experience with the viewer. An upstate New York native, Kevin resides and creates art in Middlesex County, Massachusetts.
Shyun's minimalism does the maximum in bringing out the intensity of shapes and colors. What seem like stable forms - rectangles, tubes, and lines - never sit quietly on the ground. Shyun tips these shapes on their corner, drops them over a shadow, and slices just a little of their edges like soft cheese, capturing the brief moment where the stability of geometry meets the imagination of our eyes.
John Richey is a New York based visual artist who works between Brooklyn, NY and the Hudson Valley. His cross-disciplinary practice is process-driven and incorporates cyanotype, handmade video animations, and immersive installations using themes and images borrowed from various personal collections. He holds multiple degrees, has exhibited domestically and abroad, and was profiled in Artforum Internationals “Best of 2004”. Richey has held professional titles in New York at Marian Goodman Gallery, Greene Naftali Gallery, the Keith Haring Foundation, and Pace Gallery.
Warner Ball is a Michigan-based artist and graduate of Albion College, where he graduated with a focus in photography. Warner is a curator, as well as an artist, and enjoys coordinating meaningful collections of work that explore important topics like climate and identity. He employs a number of media, including photography and sculpture, to explore queerness and domesticity, the major conceptual foundation of his work for the past few years.
Jane Kang Lawrence received her BFA from Mason Gross School of the Arts, Rutgers University. Following painting residencies in Italy she continued art making with teaching by pursuing her Masters from the School of Visual Arts. Jane has taught visual arts, ceramics, and visual literacy for students in NYC for 17 years. She is a Pulitzer Center teaching fellow leading to publication of a visual arts curriculum. Her most recent project is to curate the national I Like Your Work’s Summer 2022 Open Call. Jane is a founding director of Peep Space (Tarrytown, NY) and maintains a painting studio in New York City.
Justin Shull was born in Newport, New Hampshire in 1982 and currently lives and works in Traverse City, Michigan. Justin received a BA in Studio Art from Dartmouth College and a MFA in Visual Arts from Rutgers. His work has been exhibited and collected nationally, and he has won several national awards from the Joan Mitchell Foundation, the College Art Association, and the International Sculpture Center.
Xanthippe Tsalimi is a Greek fine artist who resides and works in New York City. Xanthippe’s primary artwork consists of oil paintings, of different scales and formats. Her work is an amalgam of environmental and atmospheric abstracts; images that evoke mood, ranging from tranquility and solace, to turbulence and chaos. Her work is timeless and reflective, human presence is strongly implied and yet void within the composition. An experience of space and emotions, much like a not so distant memory or of a time that may or might not have come to pass.
Camilla Webster is not only a painter, but a best selling author and TED speaker whose creative enterprises have led her to success in many disciplines. Her artwork floats emotions and themes of current events in her emphatic abstractions. Camilla’s painterly style is guided by her previous work as a writer, evoking a narrative discourse within the textural lines of her body of work.
Philippe calls his paintings “geographical abstractions”. He reconstructs recognizable details of an urban environment (angular shapes that look like construction debris or suggestion of skyscrapers, for example) according to his personal impression of pecific locations like New York, Aix-en-Provence, and Zurich. But Philippe doesn’t try to organize everything - where everything is fast, noisy, smelly, and overall so extra-, you gotta lean into the chaos and learn how to enjoy it.
Robert Melzmuf is a painter based in the United States whose works have been exhibited nationally and in France. Identifying as a painterly color field abstract artist, he strives for beauty and elegance in his artistic practice. Melzmuf is uninterested in strategies, chance, or theories, rather, when he creates, he commits to looking and making decisions based on what he sees.
Morgan Hale is an artist and weaver based in New York City. She studied at Massachusetts College of Art and Design and received a BFA in Fibers. Morgan has been weaving since 2012 and continues to expand her practice by exploring new materials and techniques. She has exhibited work in galleries across the US and has been an artist in residence at Haystack Mountain School of Crafts, Tabby Studio, High Desert Test Sites and The Potato Farm Project. Morgan also teaches weaving workshops and is the author and illustrator of a beginner’s weaving guide titled Weaving Untangled.
Anthony Smith received a B.A. in Fine Arts from Amherst College (1999) and an M.F.A. in Painting from the University of Michigan (2001). Smith also studied wood-block printmaking in Kyoto, Japan at Kyoto Seika University in 2001. He has been reviewed in The New York Times, The Wall Street Journal, The Boston Globe, The Detroit Free Press, The Ann Arbor News and the Artist’s Magazine.
My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
If something were to capture the essence of an everlasting battle between Godzilla vs Megazord vs set to Tame Impala, it would be Andrew Chan’s work. His style is graphic and bold: like an indie comic dipped in encaustic wax, his artworks evoke nostalgia and pop culture references in a satirical take on consumerism.
Fred Bendheim is a contemporary artist working in Brooklyn, NY. Fred attended the University of California, Davis, and graduated from Pomona College, with a B.A. cum laude. He has lived and worked in Brooklyn, NY since 1983, maintaining a studio in Sunset Park. He is a teaching artist at The Art Student’s League, and other schools in NYC. Both a painter and sculptor, Fred has had numerous one-person shows, and his works are in collections world-wide: The Museum of Arts and Design, The Montclair Art Museum, The Scottsdale Museum of Contemporary Art, The National Museum of Costa Rica, The Neiman-Marcus Collection, and others.
Beth Barry's work is deeply rooted in her connection to nature and explores the emotional resonance of the natural world. Recently, her artistic practice has encompassed both painting and collage.
Dominick Hiddo is a self-taught visual artist born and raised in Flatbush, Brooklyn, New York. His work challenges the perception of all that we know and understand. While drawing inspiration from mysticism, religion, and cultural traditions of the world, he explores the concepts of enlightenment, death and the after-life, reincarnation, and the complexities of the human experience in all its constructs. He is directly inspired by the works of Joan Mitchell, Hilma af Klint, Kandinsky, Chagall, the Russian Avant-garde, and Asian Art. He currently serves on the Kingston Arts Commission. And he lives and works out of his studio in Kingston, NY
Chris Baily is a painter, video artist, and experience designer. He lives and works in Brooklyn, New York. In his work on canvas, Chris mixes figurative painting, collage, and abstract mark making to build up a piece, sometimes over many years. Chris also experiments with moving elements using both projected video and digital screens. Chris studied Painting at Cornell University and received a YoungArts award, a Presidential Scholar award, and the David R. Beane award for Fine Arts.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
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