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Janice La Motta is a visual artist who has balanced a forty year career as a practicing artist while serving in the positions of museum curator, gallerist, artistic director and most recently as executive director of a nonprofit art organization. She has exhibited her work in numerous solo and group exhibitions throughout the country. A native of New Jersey, La Motta is a BFA graduate of the Hartford Art School, CT. She lives and works in Ulster County, New York.
Marlene Struss received her BFA degree from UC Santa Barbara in 1973 and has lived in Santa Barbara, CA, ever since, creating bodies of work from representational to abstract in printmaking, collage, digital, and today acrylic paintings. She has exhibited widely in the US and as far as St. Petersburg, Russia, and Seoul, Korea. Presently Struss is represented by 10 West Gallery in Santa Barbara and ArtPicLA in Hollywood. Struss's work can be seen in many film and television productions.
Evan Peltzman is a painter who has been living and working in New York City since 2010. He is currently an MFA candidate at the School of Visual Arts in New York, graduating in 2026. Born and raised in California’s San Francisco Bay Area during the 1980’s and 90’s, Evan was heavily influenced by the artwork and aesthetic of the local skateboarding, live music and graffiti of the times. San Francisco’s DIY culture of the early 90’s inspired him to get creative with his materials, exhibition venues and studio spaces. This approach to art making continues to follow him today as he builds all of his own wood panels, canvas stretchers and frames in order to use unorthodox materials and make odd-sized work.
Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
Chelsie Sunde is an artist living and working in Brooklyn, NY. Her work centers on themes of memory and desire. She works primarily in oil painting, depicting intimate interior scenes from memory. She holds a BA in Art from Gonzaga University and an MFA from Brooklyn College. Her work has been shown at Powerhouse Arts and Revelation Gallery in New York City, and the Gonzaga University Art Space in Spokane, WA. To see more of her work, please go to chelsiesunde.com
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
Daniel Kersh is an artist exploring intersections in art, performance, science, and technology. He brings his background in installation art, lighting design, and dance to create large scale, immersive exhibitions and performances. Kersh's work embodies expressions of a universal rhythm marked by impermanence, interconnectedness, and nonduality. Fundamental to all of his work is an invitation to a meditative space and an opportunity for moments of transcendence.
Skafte earned a BFA in textiles from the School of the Art Institute of Chicago and MFA from Syracuse University. Her profession as a textile designer led her create surface design for various companies. She has produced museum reproductions for the Smithsonian in Washington DC, and the Virginia Museum of Fine Arts in Richmond, VA. Nature is always her source of inspiration. Her work is poetic rather than a literal, and she is always exploring complexity in pattern and color.
Fred Bendheim is a contemporary artist working in Brooklyn, NY. Fred attended the University of California, Davis, and graduated from Pomona College, with a B.A. cum laude. He has lived and worked in Brooklyn, NY since 1983, maintaining a studio in Sunset Park. He is a teaching artist at The Art Student’s League, and other schools in NYC. Both a painter and sculptor, Fred has had numerous one-person shows, and his works are in collections world-wide: The Museum of Arts and Design, The Montclair Art Museum, The Scottsdale Museum of Contemporary Art, The National Museum of Costa Rica, The Neiman-Marcus Collection, and others.
Sunny Chapman retired from performing as a singer, & dancer, designing jewelry for stores like Barneys and Saks, activism and making documentaries to make art, a little jewelry and occasional poetry in Brooklyn and the Catskills. She was a street artist whose character Flower Face was published in the book Brooklyn Street Art. She resides in Williamsburg, Brooklyn, and in the Catskills. Chapman's studio art has been widely shown in galleries largely in the Northeast. Her art and poetry are published in books as well, her documentaries about Crisis Pregnancy Centers are distributed by The Cinema Guild. She is also the curator of the Birdhouse Gallery.
Kevin is an abstract painter and collage artist utilizing techniques that emphasize the process of painting through making the artist’s movement and layering of material visible in the work. Color, shape and line are visual cues employed to spark memories and experiences that the artist hopes can relay a common shared experience with the viewer. An upstate New York native, Kevin resides and creates art in Middlesex County, Massachusetts.
Nature and geography have something in common: their boundaries are put in place by humans and are all but made up. Takashi Harada dissolves these natural and geographical boundaries in his artwork. For Takashi, all natural things have a common and equal value. When in nature, he believes, you connect back to it one atom at a time. Born in Japan, Takashi’s international existence made him face his Japanese identity as well his identity within the natural world. His art reflects that feeling, blurring natural light and color in ethereal paintings that merge harsh divisions and avoid representation in favor of capturing feeling.
Every one of Rita’s artworks captures a unique feeling in a specific moment in time that she hopes to share with the viewer. Whether via abstraction or an impressionistic landscape inspired by the works of Claude Monet, Rita’s heavily textured oil paintings express a warm feeling of soulfulness and her loose brushstrokes leave the works open for spiritual interpretation.
Ms. Puppin is an internationally exhibited visual artist. Many renowned venues internationally have showcased her work, including MEAM – European Museum of Modern Art in Barcelona, Spain, Fire Station – Qatar Museums in Doha, Qatar, and galleries and museums in Qatar, Germany, Russia, China, Israel, Spain, France, India and USA. She was chosen to represent the Italian contemporary art in 2020 by the Italian Embassy in Qatar. Ms. Puppin is the recipient of several highly prestigious residencies and prizes.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
Tyler Sorgman is interested in exploring how the landscape can act as a symbol for the psychological. Sorgman’s recent work includes imagery of plant growth, mountain ranges, storms, and forest fires. A solitary home is often set into these imagined spaces. The scenes Sorgman creates are meant to feel both playful yet perilous; dreamy yet uneasy. Throughout Sorgman’s body of work, there is a play between flatness, depth, and the simplification of complex forms. He builds up layers of paint through repetitive marks and symbols, and sees their accumulation as a reflection of his thoughts, feelings, and anxieties at the time of each individual work’s creation.
Emna Zghal is a Brooklyn-based visual artist. She was trained in both Tunisia and the United States and has shown her work in both countries and beyond. Her images of vast imagined spaces echo the patterns of nature and their infinite variety. And while the colors of her paintings, drawings and prints are surreal, they impart the vibrancy of life. Reviews of her exhibits appeared in the pages of The New Yorker Magazine, The New York Times, Artform among other publications.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Born in New York City in 1969, Regina Miele transforms overlooked corners of the world into places of quiet significance. Trained at Florence’s Scuolo Lorenzo de’ Medici, she draws on classical technique to render contemporary landscapes with depth and luminosity. Working in oil, watercolor, graphite, and charcoal, Miele’s art has been exhibited nationally and internationally, finding its place in both public and private collections across the globe.
Award-winning artist Carla Forrest paints luminescent works inspired by direct observation of nature and life. A first-generation Ukrainian American, Forrest is captivated by the color and value contrasts of contemporary expressionistic works. Honored as a Local Treasure, she obtained her Bachelor of Arts in studio art from State University of New York, Master of Science in Teaching Visual Arts from Rochester Institute of Technology, and Doctor of Philosophy in Organizational Learning and Instructional Technologies from University of New Mexico.
Taylor Stoneman (b. 1990 Phoenix, AZ) is an environmental painter living and working in Berkeley, CA. She is currently a Root Division Studio Artist in San Francisco. Through colorful oil paintings probing human dependence on and complicity in wounding and dominating the Earth, her work examines the meaning of wilderness and the dualities of harm found in the extraction of earth’s resources. Utilizing both abstraction and surrealism to tell urgent stories of environmentalism, she explores issues of wilderness loss, resource extraction, consumerism, and imperialism. Her first solo exhibition, Earthbody, is forthcoming in Fall 2025 at MADSEN Gallery in Los Altos, CA. Taylor’s work has been juried into exhibitions throughout California and across the country. She completed a residency at Vermont Studio Center in February 2025 and was featured in the January 2024 issue of Suboart Magazine.
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