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James Hsieh (b. 1990,U.S.A.) earned his MFA in Fine Arts from Parsons the New School for Design. Growing up in the countryside of Taiwan, he spent his childhood roaming his grandfather’s farmland and got inspired from the nature. In his current art practices, he transforms soft felt, textile and fabric into solid sculptures that ultimately become large-scale installation.
Morgan Hale is a weaver and artist based in New York City. She studied at Massachusetts College of Art and Design and received a BFA in Fibers. Morgan has been weaving since 2012 and continues to expand her practice by exploring new materials. She has exhibited work in galleries across the US and has been an artist in residence at Haystack Mountain School of Crafts, Tabby Studio and High Desert Test Sites. In 2021 she received a City Artist Corps Grant to host an outdoor weaving demonstration in Brooklyn. This demonstration was part of New York Textile Month and the final weavings were given to members of the community through a free raffle. Morgan also teaches weaving workshops and is the author and illustrator of a beginner’s weaving guide titled Weaving Untangled.
New York City, 2000, I created fabric, 3D movable sculptures, showed them with artist group Skewville. The sculptures proved difficult for transport and storage, I began working on flat art pieces instead using fabric as the medium still. My work showed in various galleries and adding art to the streets as nom de plume Pufferella. I founded and curated Orchard Street Art Gallery and Factory Fresh. Recently my work has evolved, adding ink and paint to create “Sewn Paintings”.
Quynn Douglas Dale was born in Springfield, MA and received their BA from Grinnell College with time at Sorbonne Université in Paris, France. Their work has been exhibited with Fiber Art Now, The American Craft Council, PBS, NPR, The Sebastopol Center for the Arts California, The Galesburg Civic Art Center, North Dakota Museum of Art, 21c Museum Hotel, Arrowmont School of Arts & Crafts, Duane Reed Gallery and the World Trade Center in Manhattan. They currently work in St. Louis, MO.
Abigail Henthorne is a textile artist who constructs fiber drawings using yarn. She lives in Arkansas and utilizes various weaving and knot-tying techniques, such as crochet, embroidery, latch hook, and tufting, to generate diverse marks. She finds her subject matter in the natural world. Exploring nature’s individuality, Henthorne investigates the visible world while highlighting the world’s rarest living creatures—endangered species. Observing diverse terrains and bodies of water, she finds beauty in the biologically established color palettes nature yields and reimagines them with fiber.
Craftwork is the joint practice of Nicole Yi Messier and Victoria Manganiello, where they explore the nature of textiles and technology through installations, storytelling, and material-based research. Their work lives at the intersection of materiality, technology, and experience, drawing inspiration from the histories and futures of soft materials. With a combined more than 20 years of experience, Manganiello and Messier founded Craftwork in 2022 and their backgrounds span art, design, technology, and research.
Hanna Washburn’s soft sculptures sag and bulge in shapes that reference human anatomy. Their plush forms grow almost organically from clothing, furniture, and found objects. Hanna’s work is focused on associations; the materials she uses come from objects with previous stories told in fabrics that come from domestic interiors (upholstery, gingham table cloths, curtains) and the sculptures she creates blend the feminine, grotesque, maternal, modest, and sexual.
Shiri Phillips is a painter and mixed media artist based in Omaha, Nebraska. Born in Los Angeles and raised in part in Israel, her international background informs her bold use of color and material. Phillips has exhibited nationally and internationally, with work shown in New York and Los Angeles, and is represented by multiple galleries in the U.S. and Europe. Her work is held in private collections across the country.
Kathie Halfin is a textile, performance and an installation artist. Halfin’s artwork incorporates family history, cross-cultural mythologies and rituals, language patterns and handwoven coded messages. Halfin showed her work and performed at the the solo and group exhibitions at the Ely Center Of Contemporary Art, Bronx Museum AIM Biennial, the A.I.R. Gallery, Itinerant Performance Festival in Smack Mellon, Knockdown Center: Sunday Series, Art In Odd Places Performance Festival, Clemente Soto Velez Cultural Center and the Immigrant Artist Biennial among others.
Robin Kang is a Brooklyn-based artist, educator, and student of ancient mystical lineages. Her art reinterprets the tradition of weaving within a contemporary technological context. Utilizing a digitally operated Jacquard hand loom, the contemporary version of the first binary operated machine and argued precursor to the invention of the computer, she hand weaves tapestries that combine mythic symbolism, computer related imagery, and digital mark making. The juxtaposition of textiles with electronics opens conversations of reconciling old traditions with new possibilities, as well as the relationship between textiles, symbols, language, memory and spirituality.
Victoria Manganiello is an artist, designer, educator, and organizer. She has received many recognized grants, commissions, and residency appointments and exhibited her woven paintings, kinetic installations, artist books, and films across the USA, in Europe, Asia, and Australia. She is also a part-time assistant professor of textiles at Parsons and NYU, co-organizes an annual artist residency for electronic textile practitioners, and co-runs an art and design collective called Craftwork Collective.
Eriko Hattori (they/them) is a Pittsburgh-based artist. Hattori uses imagery, symbolism, and folklore to investigate the tension between their queer identity and Japanese heritage. With a rotating set of avatars, these icons act as anchors for conversations about perversion, desire, and the fetishism of bodies. They also serve as ways to honor women yokai and demons in Japanese folklore.
What if we saw nature not as distinguishable things like trees, mountains, and soil, but as a cloud of influences that surround us? Harkening back to her memories growing up in nature and a personal interest in Ecofeminism, Johanna's method of printmaking is in itself a dialogue with nature. In cyanotypes, the intentional outlines of base drawings intermingle with spontaneous factors like the angle, brightness, and hue of sunlight - even the canvas it is printed on is candidly frayed at the edges. In her other prints also, watercolor-like effects make even the ground appear buoyant.
Ana Maria Farina was born and raised in Brazil and is now based in the Hudson Valley, New York. She attended Columbia University and SUNY New Paltz for her graduate studies, and in 2018 she was awarded a fellowship to the NYFA Immigrant Artist Mentoring Program. Farina’s work has been featured in many spaces throughout New York such as the SPRING/BREAK Art Fair, the Wassaic Project, the Garrison Art Center, the Dorsky Museum, Paradice Palase, Susan Eley Fine Art, among others. Farina is the 2021 recipient of the College Art Association Fellowship in Visual Arts.
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