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Nina Meledandri is a painter and a photographer living in Brooklyn NY. As a painter she shows extensively throughout the NY area and was represented by the David Findlay Gallery in NY where she had two solo shows. As a photographer she has been published by the NY Times Magazine, Architectural Digest, New York Magazine and the Village Voice among others. Meledandri recently began making paper which she uses as a foundation for mixed media work. This body of work is strongly rooted in her love of the natural world.
Sasha’s paintings are small but mighty. They sometimes look like fictional sculptures dropped onto the vacuum of vibrant color. Other times they’re like a clutter of found objects. In either case, disparate objects disappear in favor of a whole situation of motion and interaction, tinted with Sasha’s faith in the possibility of true harmony.
Jenny Kemp's lines don't try too hard to mark where one object ends and another begins. Instead, they take the lead in playfully guiding the viewer's eyes around the page, sometimes literally in spirals. If you follow closely, you'll start seeing layers that have you look into the piece beyond surface level. And her color choices have an earthy quality that is almost nostalgic - orange is always in fashion, right?
Born in Ohio, Lori Kirkbride is an artist currently living and working in New York City. Predominantly a painter who focusses on process based painting incorporating techniques using acrylic polymer to create surface with an emphasis on color. Lori received a BFA Ohio University 2001 and a MFA Pratt Institute 2003 and now maintains her studio practice in Ridgewood, Queens.
In a space that contains elements of our universe ranging from cellular to cosmic, simple geometric shapes serve as characters or markers. The paintings begin with a series of subconscious gestural and perhaps chaotic elements. Geometric lines and shapes engage with the with the organic elements recalling games, systems of measure or other organizational devices that are used to understand, explore, invent or entertain. In so doing, the artist attempts to find comfort and sense in this world and our place within it.
Molly is an artist and designer currently working in Houston, TX, where the urban structure and expansion provide constant fuel to her practice. Molly received an MFA with an emphasis in fibers from Arizona State University (2017), and her current bodies of work carry on the delicate, expressive qualities of her background and BFA in drawing from Fort Hays State University (2013). In addition to keeping a studio practice, Molly also teaches workshops and classes regularly.
Max Manning is an artist and educator who currently lives and works in Houston, Texas. He earned his Bachelor of Fine Arts in Two Dimensional Studies from Bowling Green State University in 2011 and his Master of Fine Arts from the University of Cincinnati in 2014. Max has exhibited work nationally and internationally and is currently represented by TW Fine Art in Brisbane, Australia.
Morgan Hale is a Brooklyn based artist and weaver. She has a background in textile art and has been weaving since 2012. Morgan has exhibited in New York City, San Francisco, Boston, Tucson, through virtual galleries and was a recent recipient of a City Artist Corps Grant. In 2021 she wrote, illustrated and self-published a beginner’s weaving guide titled Weaving Untangled. Morgan teaches one-on-one weaving classes which take students through the process outlined in her book.
Joe Piscopia builds 3D shapes with 2D mediums. Informed by strongly contrasted lighting, Joe’s gradations bring every object, concept, or pattern to life in abstract forms. Shapes and colors document moments of thought and emotion in Joe’s life. Starting with a thought, a bird, or a single word, he intuitively explores from there into a realm of soft geometry.
A video and book artist-turned-painter, Troy still hasn't lost the wonder of new materials like toys, molding paste, and most recently flower-patterned plastic bags. Rather than playing fixed roles in a prefabricated play, his works together explore a constellation of loosely related sentiments like serious absurdity, the ineffable scale of cosmic time, surveyor marks, and rat traps around New York. These moments when existential issues suddenly intrude into everyday life or vice versa are most pronounced in the contrast between the digital hot pink he frequents and the scratched, worn out textures like peeled subway ads that accompany it.
Evan works from his studio in East Williamsburg, the back wall neatly lined with tools and the slightly sour smell of wood in the air. Considering his sculpture and design background, his command of unusual materials like soot residue, concrete, and spray doesn’t come as a surprise. But you may be surprised when his minimal, even digital looking, compositions start to unfold in poetic layers-- “bracing practice” indeed.
Kati works from her Chelsea studio, serene and slightly aloof like her own paintings. It is easy to classify her as geometric abstraction, but she uses this style to a very specific end: to make “invisible things” visible. The subject of Kati’s work is abstraction itself and it is not a representation of anything that exists in the visible world. This gives the viewers the freedom to forget about preconceptions or contexts, and invites them to develop an independent, individual interpretation of the works. Aside from painting, she also works with digital mediums to make installations and videos.
Christina's mixed-media works are engaged in a perpetual struggle to burst out of whatever shape that holds them together. A philosopher once said that any artwork is a battle between material and content - this cannot be truer when Christina uses fabric like khakis, linen, and yarn that usually function to clothe and decorate our bodies but in her works given freedom to emanate energy on their own. In a sense, her approach seems like a rebellion against the way we in the modern times tend to bend nature as an object of our own use. When given the smallest crevice, nature will re-emerge in its full majestic force.
Karen Nielsen-Fried was born in Binghamton, NY. She is a graduate of Pratt Institute (Master of Professional Studies in Art Therapy) and Binghamton University (BFA). She pursued postgraduate studies at The Institute for Expressive Analysis (NY, NY) and at The National Psychological Association for Psychoanalysis (NY, NY). Her work has been exhibited widely in the NY metro area (among others: The Painting Center, NJ State Museum, SITE:Brooklyn, Equity Gallery, Denise Bibro Fine Art) as well as in Seattle, Philadelphia, Provincetown, and Chicago (where she is represented by Addington Gallery).
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