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Artist and curator Jon Duff is the person who can't "watch TV without criticizing every ad that comes up". Jon translates his acute feeling of our current state of overabundance, whether in skyscrapers that compete against one another or global express shipping, through apocalyptic landscapes of gaudy, plasticky commodities gone defunct. He takes great satisfaction crowding his canvas with each detailed object after object in this apocalyptic pile, building momentum towards the magic that emanates things for artists and Internet users alike.
Jack Wood makes art layer by layer, creating planes of depth like a Looney Toons landscape gone rogue. Each vibrant gradient is a new shape and a new texture fitted exactly in place in its patchwork landscape. Jack cuts up his prints, paintings, and warm memories layering them with joyful color and a healthy sprinkling of whichever eternal question pops up in the process.
What happens when you mix science and art? According to Paola Gracey they are one and the same, and the only mixing is that of her paints as she pours, dripts, tips, and swirls together experimental combinations. Her style is the result of her background in science and exposure to art, resulting in paintings packed with reactions, suspensions, flow patterns, and chemical equations that Paola has taken the care to record notes on. Though science may rely on replicability, Paola’s artwork is truly one of a kind.
The swarms of technicolor lined up on Caetlynn's palette are hard to believe came from mixing paint. The cool neon violet, for example, looks like it has been like that forever, made up of a material halfway between mud and clouds. Combined with her ways of boldly cutting landscape with geometry, her paintings become a vision from eyes shaped by digital environments - she has a special interest in mirroring and repetition in particular. As recognizable objects slowly disappear with such modulations, what remains is a sense of transcendence that does not relinquish joy.
Combining black and white photography and collage, Adrienne’s unique perspective uses urban backdrops to create abstract shapes. Hand-cut-and-assembled, her collages are anything but static, with texture and layering emphasizing their handmade quality. The complex, layered nature of Adrienne’s practice subtly blends fragmented photographs into geometric forms.