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Brandon Gastinell is a Los Angeles-based artist specializing in large-scale oil pastel works on canvas and paper. Inspired by the vibrant colors and bold strokes of impressionism, his art explores the beauty and power of the human form through a unique lens. Brandon's passion for large-scale, colorful works is evident in his dynamic compositions, which showcase his extraordinary talent for capturing movement and emotion. Originally a digital artist, Brandon transitioned to oil pastels and drawing, finding that this medium allowed him to better express his artistic vision. His current collection, centered around the captivating world of ballet, pays homage to the grace and athleticism of black male ballerinas—an underrepresented group in the ballet community. By portraying these dancers in striking, impressionistic-inspired pieces, Brandon challenges conventional notions of beauty and celebrates the resilience and talent of his subjects.
In 2017, Tammy got serious about painting after visiting Alaska. Painting mainly animals, she has now expanded that to abstract landscapes vacillating from dark to light. Working mainly in acrylics, she also enjoys going back to the roots of mixed media, incorporating ink, colored pencils, modeling paste, and other textures into her creations. She is currently represented by several galleries across the country.
JaeMe grew up amid the tumultuous 1970s in south central Los Angeles. Luckily, with excellent grades and scholarships, she attended UC Berkeley in 1981 for Fine Art, studying under the renowned ceramic innovator Peter Voulkos. Due to a period of disillusionment, both politically and artistically, JaeMe dropped art completely for eight years. Upon her return in 1989, she dove in with renewed zest. She matriculated in a commercial art school at 40, thinking to become a 3D illustrator, only to discover she felt most at home in 2D illustration and portraiture.
Born in post-revolutionary Cuba in 1987 and educated within the Russian Academy’s influence, my work reflects these formative experiences. Denying my history would disregard my existence. Cuban history inspires me to reevaluate storytelling and question historical accuracy. This ongoing conflict shapes my art, where I recreate my own narratives. Decontextualizing epochs and symbols connects past and present, allowing me to alter history in an illusory world.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Roger McErlane has great love for the built world, things that man has made in context with natural conditions. Orchards, man crafted agriculture, terraced stone walls, fields, sheds and barns—the creation of beautiful places and things in nature. Each one of these that’s worth seeing and remembering was crafted with a clear design intention from the existing opportunities at hand. His art comes from this same place. First, a broad concept. This is then defined into a structural framework which gives power and life to the finished painting. In his work, you can see all of these elements.
Kiana Honarmand is an Iranian-born Bay Area-based artist whose interdisciplinary work explores cultural identity, women's rights in Iran, and SWANA representation. Her work has been featured in publications such as the Washington Post, Forbes, and Voice of America. Kiana’s art has been exhibited in numerous venues nationally and internationally. These include the Asian Art Museum, San Francisco, CA; NUMU New Museum, Los Gatos, CA; Museum of Quilts and Textiles, San Jose, CA; Metal Museum, Memphis, TN; Lite-Haus Galerie, Berlin, Germany; and many others.
Cora Jane Glasser is a third generation New Yorker. She holds a degree from Queens College and attended the Arts Students League. Glasser completed a commission for the production of permanent artwork onto architectural glass for a building in Queens, and created a monumental installation for a group exhibition. Her work has been shown in numerous solo and group shows nationally and internationally, and is held in private, corporate and municipal collections. Glasser works from her studio in Williamsburg, Brooklyn.
Cristi Lyon is a multidisciplinary artist. She works in paint, glass, print, and ceramics. Her goal is to portray the material world in a direct but lush manner. She has an uncommon background in that rather than follow a degree program she undertook a self guided study of art while working in the animation industry. She spent the last years of her animation career at Dreamworks SKG, but everyone wants to hear about her time on Ren and Stimpy. She lives in Northeast Los Angeles with her family and two cats.
DEVIN RUIZ, a Cuban-American abstract artist, hails from the vibrant, islands of Miami Beach.He established his domain and left an indelible mark on the Miami’s underground art scene of the late ‘90s and early 2000s. His eclectic endeavors range from consuming plant medicine and creating live paintings before intimate gatherings of friends to reciting spoken poetry to audiences drunk on sake. Known for his eyeball stickers and innovative street art experiments, Devin Ruiz also raps under the name Nived3rd.
Taylor Stoneman (b. 1990 Phoenix, AZ) is an environmental painter living and working in Berkeley, CA. She is currently a Root Division Studio Artist in San Francisco. Through colorful oil paintings probing human dependence on and complicity in wounding and dominating the Earth, her work examines the meaning of wilderness and the dualities of harm found in the extraction of earth’s resources. Utilizing both abstraction and surrealism to tell urgent stories of environmentalism, she explores issues of wilderness loss, resource extraction, consumerism, and imperialism. Her first solo exhibition, Earthbody, is forthcoming in Fall 2025 at MADSEN Gallery in Los Altos, CA. Taylor’s work has been juried into exhibitions throughout California and across the country. She completed a residency at Vermont Studio Center in February 2025 and was featured in the January 2024 issue of Suboart Magazine.
Diane is a native New Yorker who had an earlier career including 17 years as a management consultant to nonprofits. She then studied at the Art Students League, and has had solo exhibits including at St. Peter’s Church in NYC, at U. Mass. Amherst, and at the University of Connecticut, and been in group shows across the US. She had an artist’s grant to the Vermont Studio Center and won the Allied Artists of America award at the Butler Institute of American Art. Her work is in private and institutional collections in the US, Italy and France.
Meam Hartshorn was born and raised in Grand Junction, a small city in western Colorado where the landscapes and rich geologic history inspire much of her artwork. She graduated from Kenyon College with B.A. in Studio Art and Psychology, where she received Awards of Distinction from both departments and was awarded the Robert H. Hallstein Memorial Award in Art. Meam currently lives and works in Austin, Texas where she has exhibited with Sab Gallery, The Affordable Art Fair, Big Medium and more. Landscapes and cycles in nature inspire her work, which aims to bridge internal emotional experiences with those reflected in nature. Alongside her art practice, Meam is working her Master’s in Clinical Social Work from the University of Texas in Austin, where she combines her artistic background and love of nature to explore alternative and decolonized approaches to mental health care.
Owen Brown was born in Chicago, trained as a pianist, took a drawing class at 23, and much of what he’s wanted to do since then has been paint. Brown holds degrees from Yale and the University of Chicago. A long-time San Francisco resident, he now lives in Minneapolis. Brown’s works have been acquired by the Fine Arts Museums of San Francisco and the Weisman Museum of Minneapolis, and can be found in collections in this country, Europe, and Asia.
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