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Eun Young Yun is a Korean-American figurative painter based in New York, whose work bridges classical technique and contemporary expression. She holds a BFA from Kyungsung University in Busan, Korea, and has pursued advanced studies at the National Academy School of Fine Arts in New York, where she completed the four-year Certification Program in figurative oil painting, charcoal drawing, watercolor, and anatomy. She is currently completing her CFA at the New York Academy of Art, with a focus in Classical and Contemporary Figurative Art. Her paintings are characterized by a quiet, meditative quality — an exploration of the human form, inner stillness, and the gentle interplay of light and emotion. Yun has exhibited her work Korea, New Jersey, and New York.
Lori Larusso is an American visual artist working with themes of domesticity and foodways. Her body of work encompasses paintings and installations that explore issues of class, gender, and anthropocentrism, and how these practices both reflect and shape culture. Larusso’s work is exhibited widely in the US and is included in various public and private collections. She has been awarded numerous residency fellowships, and awards.Larusso earned an MFA from MICA and a BFA from the University of Cincinnati’s DAAP..
James Greco is a New York based artist with a multi-disciplinary approach to his art practice, which encompasses painting, sculpture, installation, performance, site-specific time-based work, collage and drawing. His work is designed to be viewed not only as a singular object but orchestrationally arranged like set designs to express a poetic personal narrative. His use of gesture, image and materials exploration has developed into a body of work that is influenced by his own experiences with life, death, and love, beauty and decay, violence and destruction.
Younkin received her BFA from California College of the Arts and MFA from Parsons The New School. Her vibrant paintings were recently exhibited with Studio 41 and 440 Gallery. Younkin’s work resides in the permanent collection of the Ramsey County Historical Society in Minnesota as part of their exhibit “Persistence: Continuing the Struggle for Suffrage and Equality: 1848-2020”. Her work was recenty published in I Like Your Work’s 2023 Summer Exhibition Catalog “Esprit de l’escalier'' curated by Alicia Puig.
Cristi Lyon is a multidisciplinary artist. She works in paint, glass, print, and ceramics. Her goal is to portray the material world in a direct but lush manner. She has an uncommon background in that rather than follow a degree program she undertook a self guided study of art while working in the animation industry. She spent the last years of her animation career at Dreamworks SKG, but everyone wants to hear about her time on Ren and Stimpy. She lives in Northeast Los Angeles with her family and two cats.
What do a juicy fillet of salmon and a body half-submerged in bath water have in common? Through soft-colored, naturalistic paintings, Amy explores the beauty of female bodies in everyday life - the beauty of vulnerable, soft flesh itself safe from the glare of cameras and gloss of magazine pages.
Following initial studies at the Brooklyn Museum Art School, Peter Colquhoun moved to Italy and at first settled in Venice for 6 months. Later he painted and exhibited in various cities including a solo exhibition at the Fenice Gallery in Venice in 1985. He also taught at a small art school in Casole d’Elsa, Tuscany. After returning from Italy, cityscape became an area of interest and activity as it is to the present day in New York City, his home.
Every one of Rita’s artworks captures a unique feeling in a specific moment in time that she hopes to share with the viewer. Whether via abstraction or an impressionistic landscape inspired by the works of Claude Monet, Rita’s heavily textured oil paintings express a warm feeling of soulfulness and her loose brushstrokes leave the works open for spiritual interpretation.
Amanda Ba (b. 1998) is a painter who lives and works in New York City. She was born in Columbus, Ohio, but spent the first five years of her life with her grandparents in Hefei, China. Diasporic memory is central to her work—vivid paintings that combine personal memory with psychosexual fantasy, featuring figures that challenge a predominantly white Western canon of figural painting. Working closely with queer and post-colonial theory, her interventions in the Cannon do not aim to solely celebrate her cultural identity and its inclusion, but to interrogate its formation.
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