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Laura Bishai (She/her/hers) is the founder of Body Language, a writing project that brings conversations about sex into the open.
Read our interview with Laura here
Amanda Ba (b. 1998) is a painter who lives and works in New York City. She was born in Columbus, Ohio, but spent the first five years of her life with her grandparents in Hefei, China. Diasporic memory is central to her work—vivid paintings that combine personal memory with psychosexual fantasy, featuring figures that challenge a predominantly white Western canon of figural painting. Working closely with queer and post-colonial theory, her interventions in the Cannon do not aim to solely celebrate her cultural identity and its inclusion, but to interrogate its formation.
In her work and in her life, Jadie strives to educate, inspire, and uplift others. Her work reflects her passion for fostering human relations and connection, inspired by connections made not only through her pursuit of visual art but through dance and her work as a vocalist and actor. Jadie’s loose, colorful brushstroke places those concepts on canvas, creating warm imagery that links to the divine and human nature as a whole.
Johanna Aenderl Ryan (b. 1984, Saint Paul, MN) is based in Brooklyn, NY. She received her MFA from New York Academy of Art in 2020. She has been a recipient of grants and scholarships through Penland School of Craft (2023), Brooklyn Arts Council SU-CASA (2023), New York Academy of Art (2017-2020). Solo exhibitions include: Chashama (Brooklyn, NY). Co-curated "Interwoven Perception" at The Stairwell Space. Select group exhibitions include: Ethan Cohen KuBE, Brooklyn Waterfront Artist Coalition, Equity Gallery, ChaShaMa Space to Present, and Cape Cod Museum of Art. She has been an artist-in-residence at Voice x NYAA, ChaNorth, and Virginia Center for Creative Arts (VCCA).
Seeing Lauren's large unstretched canvas as it hangs in the golden hour light is a poetic experience. As she brings out the canvases one by one and unrolls them, you can tell that she has a story to tell for each and every one. Then the shadows and ripples of the canvas blends in with the scribbles and stains of watercolor, the intensity of golden hour blurring outlines of objects. Also notice how she leaves graphite sketches underneath the paint. They are residues of time, the same way Lauren's paintings are footprints of memories and impressions.
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