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Raised near the rolling shores of Chesapeake Bay, Kristin’s perspective was strongly shaped by the visual clash of industry and nature in and around the bustling American port town of Baltimore. Descended from a long line of artists and craftsmen, Kristin has a family history in highly tactile expressions of creativity. Her grandfather was a furniture maker; her mother is a painter. Family influences in materials and craftsmanship helped fuel Kristin’s interest in textiles—both natural and synthetic textures and patterns. As a result of this interest, in addition to her fine arts work, Kristin obtained her Bachelor of Science in Fashion Design and Illustration at Virginia Tech University. Kristin has traveled and studied extensively in Europe, Africa, and the United States where she honed her eye and trademark ability to create visual texture with a rich, adventurous color palette and expressive techniques.
My name is Anastasia Korsakova, born on May 8, 1994, in St. Petersburg, Russia. As a child, I was very active and passionate about athletics, particularly pole vaulting, running, and long jumping. This early interest in sports would later influence my first artistic works. From 2012 to 2016, I studied at the Leningrad Regional College of Culture and Arts in St. Petersburg, where I was mentored by renowned Dagestani artist Oktay Alirzaev. After college, I began to immerse myself in painting, searching for my own artistic voice. In 2018, I enrolled in the Repin Institute of Arts in St. Petersburg, studying Art History. In 2022, I emigrated to the United States, where my artistic journey continues.
Ann Flemings is a contemporary abstract painter based in Austin, Texas, with a BFA in graphic design and an MA in Sociology. She began painting at age seven with her grandmother, sparking a lifelong passion. Her solo shows include Threads of Her Story, through May 2025, a response to the permanent collection of the Neill-Cochran House Museum in Austin, TX, Artist in Residence at FiG Design Showroom in 2024 and Flemings Florals at ArtDirect in 2023. Juried group exhibitions include the Canopy Collective at Austin Affordable Art Fair (2024), Here Now at Canopy Gallery (2023), InBetween at Cloud Tree Gallery (2022), The Femme Abstract at Springdale Gallery (2021) and Celebrating Women Artists at Alaris Gallery in Kansas City, MO (2020).
Ken lives and works on the Eastern Shore of Maryland. Born in Brooklyn 1947, Ken graduated from The Cooper Union (NYC) with a degree in Architecture. As an Assistant Professor, he previously taught studio art and architectural design at the University of Kentucky, Lexington, KY and at IIT, Chicago, IL. Before turning to painting his architectural practice spanned 2+ decades and in various locales.
In 2017, Tammy got serious about painting after visiting Alaska. Painting mainly animals, she has now expanded that to abstract landscapes vacillating from dark to light. Working mainly in acrylics, she also enjoys going back to the roots of mixed media, incorporating ink, colored pencils, modeling paste, and other textures into her creations. She is currently represented by several galleries across the country.
Abbey Stace was born in Philadelphia, PA in 1970. Her mixed media abstractions have developed over a lifetime of studying science, philosophy and art. Her current work employs a unique medium she has refined over years of experimentation. She is inspired by what the materials do on their own but imposes rigorous formal qualities on these multilayered compositions. She has exhibited internationally and is part of private collections all over the world. She lives and works in Philadelphia, PA.
Esther Voisin is a French photographer who is living and working in the U.S. Her work and vision are “still-frame” moments captured in the daily panorama of modern life. The bare poetry of every day in the subjects of little matter that our eyes no longer see. Driven by a cinematic vision, her work ponders on the subjective emotion of isolation, composition, texture, and light.
She infuses her lifelong love of myths and stories and uprooted background into her paintings. Leaning into the mysterious, her work explores existential dread and beautiful imperfection.
Lisa Ingram is an abstract oil painter who lives and works in Manhattan. She received her BFA from Parsons School of Design in New York. Earlier, she also trained at Instituto Lorenzo De' Medici in Florence, Italy. Originally from Virginia, her paintings have an organic quality of nature and water. As a youth, Ingram was a competitive springboard diver, and the elements of water resonate throughout most series of her works. This athletic discipline in her youth has helped her to maintain self-discipline and drive throughout her artistic practice.
Saehyun Paik (b. 1987, South Korea) is a quietly passionate artist currently finding inspiration in the heart of New York City. From a young age, Paik's fascination with color, composition, Mise-en-scene, design, and unconventional beauty has been a guiding force. Growing up amidst talented artists in a competitive environment during her teenage years, she dedicated herself to honing her technical skills. In her youth, Paik pursued her dream of becoming an artist by freelancing as an illustrator and designer for magazines. Following high school, she ventured into the commercial design industry as a concept designer. Eventually, she took a brave step, leaving her job to attend the Samsung Art and Design Institute before embarking on a journey to the United States.
Harry Moody received his formal training as an artist at the Frankfurt Stadel Fine Art Academy, Frankfurt, Germany. He majored in Free Painting under the Professors Johannes Schreiter, Thomas Bayrle and Josef Beuys. In 1986, also at the Stadel Academy, he was introduced to the works and philosophies of the then residing Professor Gerhard Richter who eventually profoundly influenced the artistic direction that Moody was to embark on.
Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Steve is a British/American artist based in New York. He studied photography at the prestigious Newport School of Documentary Photography under David Hum. He's been involved in the Arts as a painter, illustrator, art director, graphic designer and photographer. He has now merged both mediums into one cohesive process. He creates original hand-drawn large format digital prints with an organic appearance. His work has been exhibited in the U.S. and the U.K. (at London's Victoria & Albert Museum).
"I had a Museum show at the Islip Museum called Print Up Ladies. I was in the company of my life long idols such as Murray, Frankenthaler, Swoon, Yuskagave, and Bontecou to name a few. I have shown at St. Joseph’s College, MacArthur Airport, and Alfred Loen Gallery, as well as the Painting Center in Chelsea, and the Omni Gallery in Uniondale. I have exhibited at the Hecksher Museum Biennial, M. David and Company, Denise Bibro and George Billis Gallery."
Owen Brown was born in Chicago, trained as a pianist, took a drawing class at 23, and much of what he’s wanted to do since then has been paint. Brown holds degrees from Yale and the University of Chicago. A long-time San Francisco resident, he now lives in Minneapolis. Brown’s works have been acquired by the Fine Arts Museums of San Francisco and the Weisman Museum of Minneapolis, and can be found in collections in this country, Europe, and Asia.
Barbara Groh lives and works in Brooklyn, NY. Her art is highly personal and reflects her life experience through various mediums. Groh, who holds a MFA from Vermont College of Norwich University, has shared her knowledge through teaching as well. Her sense of place, time and space are instrumental to her connection to her current landscapes.
If pop art means anything to you, it’s like Ellanah absorbed the deluge of cartoons, graffiti, neon glitches on analog TVs, and movie characters - in a word, childhood in the 90’s - in a batter of cake that’s her own flavor. She’s not just a consumer though. Whether in circular canvas or a frame of botanical patterns, Ellanah constantly interrupts the coherence of mass media narratives by rearranging their elements.
My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.
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