Products – Curina

The artwork "It Never seemed like it was quite enough" by Val Sivilli features a figurative scene with a central figure holding a red, flower-like object in front of a stylized, abstracted face set against a textured rose-colored background. The piece employs bold outlines and muted blues, yellows, and earth tones, echoing the psychological abstraction reminiscent of Picasso and early Lam.

The artwork

Val Sivilli

"It Never seemed like...

The artwork "Protecting the Beast from our own Propensity for Bad Behavior" by Val Sivilli features a figurative composition with a crowned figure holding a white beast. Rendered in layered brushstrokes of muted greens, yellows, and blues, it blends bold geometric shapes and expressive outlines, evoking the stylized abstraction of early Picasso and the symbolic depth of Paul Klee.

The artwork

Val Sivilli

"Protecting the Beast from...

#1 by David Wellner presents an abstract geometric form with interlocking shapes in muted earth tones of mustard yellow, rust, teal, and beige. The composition features cutouts and layered textures, evoking a sculptural quality that balances organic curves with angular elements in a contemplative, modern style.

The artwork, #1, by David Wellner, displayed in a room.

David Wellner

#1

The artwork "#1 (Alizarin)" by Patrick Walsh in gallery position 1 presents a grid of twelve deep red circular forms with scalloped, organic edges set against a pale pink background. The textured layers and intense color contrast evoke the meditative repetition of Agnes Martin and the luminous minimalism of Mark Rothko.

The artwork, #1 (Alizarin), by Patrick Walsh, displayed in a room.

Patrick Walsh

#1 (Alizarin)

The artwork "#1 (Prussian Blue)" by Patrick Walsh in gallery position 1 presents a grid of deep blue circular forms against a muted slate background. Each shape features textured layers and organic imperfections, evoking the meditative repetition found in Agnes Martin’s work and the moody abstraction reminiscent of Yves Klein’s monochromes.

The artwork, #1 (Prussian Blue), by Patrick Walsh, displayed in a room.

Patrick Walsh

#1 (Prussian Blue)

The artwork "#1 (Yellow)" by Patrick Walsh in gallery position 1 presents a luminous circular form with organic, scalloped edges rendered in warm golden and amber hues against a soft yellow background. Its minimalistic abstraction and radiant color evoke the meditative stillness found in Agnes Martin’s grids and the color field luminosity of Mark Rothko.

The artwork, #1 (Yellow), by Patrick Walsh, displayed in a room.

Patrick Walsh

#1 (Yellow)

The artwork "#101" by Nathan Aufrichtig features an abstract gray landscape with textured layers evoking natural stone and weathered surfaces. The subtle interplay of light and shadow creates a serene, contemplative mood, reminiscent of the muted, atmospheric abstractions found in works by Agnes Martin and Mark Rothko.

The artwork, #101, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#101

The artwork "#102" by Nathan Aufrichtig features an abstract composition dominated by layered shades of soft lavender and muted purple. Textured, diffuse brushstrokes create an ethereal, cloud-like form at the center, evoking the atmospheric abstractions of Helen Frankenthaler and the subtle tonal depth reminiscent of Mark Rothko’s color fields.

The artwork, #102, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#102

The artwork "#103" by Nathan Aufrichtig features an abstract landscape with layered textures in cold blue and gray tones, accented by a central irregular white shape. The rough, textured brushstrokes create a weathered, atmospheric effect, evoking the moody abstraction found in works by Mark Rothko and Anselm Kiefer.

The artwork, #103, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#103

The artwork "#108" by Nathan Aufrichtig features an abstract composition dominated by deep reds and muted purples, with a textured, weathered surface. A central circular indentation creates depth and focus, evoking the tactile minimalism and raw materiality reminiscent of Mark Rothko's color field works and the subtle textural explorations of Anselm Kiefer.

The artwork, #108, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#108

The artwork "#109" by Nathan Aufrichtig features a large abstract composition dominated by textured layers of deep blues and muted grays. Vertical streaks and subtle color variations create a cool, atmospheric depth reminiscent of Mark Rothko’s color fields and the textured surfaces found in works by Gerhard Richter.

The artwork, #109, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#109

The artwork "#11" by Patrick Walsh in gallery position 1 features a luminous, soft-edged yellow orb set against a deep black background, evoking a glowing celestial body. The subtle color shifts and blurred contours recall the ethereal light effects found in James Turrell’s installations combined with the minimalist focus on form and space reminiscent of Ellsworth Kelly's abstract compositions.

The artwork, #11, by Patrick Walsh, displayed in a room.

Patrick Walsh

#11

The artwork "#111" by Nathan Aufrichtig features an abstract composition dominated by rich orange hues with textured layers of soft gray and subtle white highlights. The dynamic brushstrokes and atmospheric depth evoke a sense of radiant energy, reminiscent of the color field abstractions by Mark Rothko and the textured surfaces of Gerhard Richter.

The artwork, #111, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#111

The artwork "#115" by Nathan Aufrichtig features an abstract, textured composition dominated by layered shades of muted pink, gray, and black. Vertical striations and splattered patterns create a tactile, weathered surface that evokes an organic, atmospheric quality reminiscent of Mark Rothko’s moody color fields and the textured abstraction of Anselm Kiefer.

The artwork, #115, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#115

The artwork "#12" by Patrick Walsh in gallery position 1 features a luminous, irregular yellow orb with diffused edges set against a stark black background. Its glowing, organic form and soft color transitions evoke the ethereal light studies of James Turrell combined with the restrained minimalism reminiscent of Robert Irwin's explorations of perception.

The artwork, #12, by Patrick Walsh, displayed in a room.

Patrick Walsh

#12

The artwork "#129" by Nathan Aufrichtig features a large abstract composition with layered textures in muted earth tones of gray, ochre, and blue. The intricate brushwork and subtle interplay of light create a contemplative surface, evoking the atmospheric abstractions of Mark Rothko and the textural depth reminiscent of Anselm Kiefer.

The artwork, #129, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#129

The artwork "#131" by Nathan Aufrichtig features an abstract composition dominated by textured layers of cool green and gray tones with subtle hints of white. The diffuse, organic patterns and weathered surface evoke a tranquil, natural atmosphere reminiscent of the atmospheric abstractions by Helen Frankenthaler and Mark Rothko.

The artwork, #131, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#131

1343 Abstract watercolor and ink painting featuring a fluid curved shape in vibrant rainbow colors including pink, blue, orange, and purple, with a dark circular void in the center, creating a dynamic organic form against white background

Nina Meledandri

#1343

The artwork "#136" by Nathan Aufrichtig features an abstract composition dominated by warm orange and muted purple tones with textured, layered brushstrokes. The subtle interplay of colors and rough surface evokes a contemplative mood, reminiscent of Mark Rothko’s color fields and the atmospheric abstractions of Helen Frankenthaler.

The artwork, #136, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#136

The artwork #1366, by Nina Meledandri

Nina Meledandri

#1366

The artwork "#138" by Nathan Aufrichtig features a large abstract composition dominated by muted olive greens, soft purples, and subtle grays. The textured surface layers evoke a weathered, atmospheric quality with nuanced brushwork, reminiscent of the restrained abstraction and earthy palettes found in works by Mark Rothko and Helen Frankenthaler.

The artwork, #138, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#138

#14 by David Wellner features a bold abstract form with curved and angular shapes in warm tones of mustard yellow, burnt orange, olive green, and deep black. The textured surface and dynamic color blocking create a sculptural, modern composition that balances organic flow with geometric structure.

The artwork, #14, by David Wellner, displayed in a room.

David Wellner

#14

The artwork "#145" by Nathan Aufrichtig features an abstract composition dominated by rich, layered shades of violet and purple with textured brushstrokes and subtle floral impressions. The intricate layering and atmospheric depth evoke the expressive abstraction reminiscent of Mark Rothko and the textured surfaces of Anselm Kiefer.

The artwork, #145, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#145

The artwork "#149" by Nathan Aufrichtig features a large abstract composition dominated by layered shades of gray with subtle hints of textured brushstrokes and surface variations. The muted color palette and atmospheric depth evoke the minimalist abstractions of Mark Rothko and the contemplative textures of Gerhard Richter.

The artwork, #149, by Nathan Aufrichtig, displayed in a room.

Nathan Aufrichtig

#149

The artwork "#15" by Patrick Walsh in gallery position 1 features a grid of nine abstract, softly layered circular forms in pale yellow and muted gray against a stark black background. The subtle gradients and diffused edges evoke the minimalist sensibility of Agnes Martin combined with the atmospheric softness reminiscent of Mark Rothko’s color fields.

The artwork, #15, by Patrick Walsh, displayed in a room.

Patrick Walsh

#15

The artwork #1550, by Nina Meledandri

Nina Meledandri

#1550

The artwork #1551, by Nina Meledandri

Nina Meledandri

#1551

The artwork #1552, by Nina Meledandri

Nina Meledandri

#1552

The artwork #1553, by Nina Meledandri

Nina Meledandri

#1553

The artwork #1554, by Nina Meledandri

Nina Meledandri

#1554

The artwork #1555, by Nina Meledandri

Nina Meledandri

#1555

The artwork #1556, by Nina Meledandri

Nina Meledandri

#1556

The artwork #1559, by Nina Meledandri

Nina Meledandri

#1559

The artwork #1560, by Nina Meledandri

Nina Meledandri

#1560

The artwork #1561, by Nina Meledandri

Nina Meledandri

#1561

The artwork #1562, by Nina Meledandri

Nina Meledandri

#1562