My practice centers on the subconscious as a generative force—a reservoir of latent imagery, emotion, and energy that I seek to access through abstraction. I approach painting not as a process of invention, but as one of discovery: an excavation of internal landscapes where color, form, and motion arise spontaneously and evolve into complex visual fields. When I close my eyes, I often encounter a black void that bursts into shifting, luminous scenes. These ephemeral visions—at first chaotic and fluid—gradually settle into more defined compositions as I translate them onto canvas. Through successive layers of texture and colors, I work toward a moment of stillness, when the painting begins to assert its presence and clarity emerges from ambiguity.

My practice centers on the subconscious as a generative force—a reservoir of latent imagery, emotion, and energy that I seek to access through abstraction. I approach painting not as a process of invention, but as one of discovery: an excavation of internal landscapes where color, form, and motion arise spontaneously and evolve into complex visual fields. When I close my eyes, I often encounter a black void that bursts into shifting, luminous scenes. These ephemeral visions—at first chaotic and fluid—gradually settle into more defined compositions as I translate them onto canvas. Through successive layers of texture and colors, I work toward a moment of stillness, when the painting begins to assert its presence and clarity emerges from ambiguity.