An original neon mixed media minimal painting by Troy Medinis, an artist who has exhibited in New York, titled Untitled(Sanded Paper)
An original neon mixed media minimal painting by Troy Medinis, an artist who has exhibited in New York, titled Untitled(Sanded Paper)
An original neon mixed media minimal painting by Troy Medinis, an artist who has exhibited in New York, titled Untitled(Sanded Paper)
An original neon mixed media minimal painting by Troy Medinis, an artist who has exhibited in New York, titled Untitled(Sanded Paper)
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    Troy Medinis

    Untitled(Sanded Paper)

    Original Artwork

    Dimensions: Height 9 in x Width 8.5 in.

    Medium: Oil and paper on panel

    $500
    $38
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    Subscription
    $500
    Purchase
    Aside from the bright salmon pink color, this work can be boiled down to the reductive process of sanding paper. Troy believes reductive is as important as additive, and sandpaper can work as well as a brush in creating layers. It brings an element of mystery in his works' relationship to time.

    The work comes with a Certificate of Authenticity signed by the artist.

    We offer $50 shipping in the continental U.S. and $20 installation service in the NYC metro area. Return shipping is also $50, but waived if you rent for 6 months or longer. Just shoot us an email and we'll help you safely return the artworks.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    Troy Medinis

    Troy Medinis

    Works in TX

    A video and book artist-turned-painter, Troy still hasn't lost the wonder of new materials like toys, molding paste, and most recently flower-patterned plastic bags. Rather than playing fixed roles in a prefabricated play, his works together explore a constellation of loosely related sentiments like serious absurdity, the ineffable scale of cosmic time, surveyor marks, and rat traps around New York. These moments when existential issues suddenly intrude into everyday life or vice versa are most pronounced in the contrast between the digital hot pink he frequents and the scratched, worn out textures like peeled subway ads that accompany it.

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