The artwork 'Rainbow Eucalyptus' by Taylor Stoneman features flowing vertical stripes in muted pastel tones, capturing the distinctive peeling bark patterns of eucalyptus trees. Blended hues of beige, soft pink, pale blue, and warm gray create an organic, abstract composition on linen canvas, showcasing smooth oil paint transitions and gentle curves.
The artwork 'Rainbow Eucalyptus' by Taylor Stoneman features fluid, abstract vertical strokes in muted earth tones of beige, brown, and subtle blue-grey, reminiscent of natural eucalyptus bark patterns. The oil on linen painting, measuring 12x9 inches, displays organic flowing lines creating a harmonious composition against a light background.
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    Taylor Stoneman

    Rainbow Eucalyptus

    Original Artwork

    Dimensions: 12" x 9"

    Medium: Oil on linen

    $38
    $38
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    $324
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    The work comes with a Certificate of Authenticity signed by the artist.

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    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

    Purchase: $324
    Subscription: $38 /mo
    Taylor Stoneman

    Taylor Stoneman

    Born in Phoenix, AZ / Works in Berkeley, CA

    Taylor Stoneman (b. 1990 Phoenix, AZ) is an environmental painter living and working in Berkeley, CA. She is currently a Root Division Studio Artist in San Francisco. Through colorful oil paintings probing human dependence on and complicity in wounding and dominating the Earth, her work examines the meaning of wilderness and the dualities of harm found in the extraction of earth’s resources. Utilizing both abstraction and surrealism to tell urgent stories of environmentalism, she explores issues of wilderness loss, resource extraction, consumerism, and imperialism. Her first solo exhibition, Earthbody, is forthcoming in Fall 2025 at MADSEN Gallery in Los Altos, CA. Taylor’s work has been juried into exhibitions throughout California and across the country. She completed a residency at Vermont Studio Center in February 2025 and was featured in the January 2024 issue of Suboart Magazine.

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