I work with fragments of consumer culture—materials designed to persuade, circulate, and disappear—because they carry the stories, excess, and visual language of the world we inhabit. Discarded vinyl street banners, once used to advertise fleeting moments and destined for the landfill, become charged material in my practice: physical evidence of our habits, desires, and environmental impact. Through cutting, weaving, and reconstruction, I intervene in this cycle, transforming commercial refuse into sculptural paintings with rhythm, presence, and narrative. The grid brings order to chaos, while intentional disruptions—spirals and curves—pull against its rigidity, creating tension between control and fluidity that mirrors the material’s own transformation. Fragmentation, layering, and repetition allow the work to shed its former identity and take on a new one rooted in repair, reclamation, and revaluation. Inspired by archaeological remnants and what civilizations leave behind, my work responds to the reality that our era’s ruins will be plastic and vinyl that refuse to decompose. The act of weaving becomes symbolic—binding fragments into unity and suggesting resilience, connection, and meaning reclaimed from what has been discarded. Ultimately, the work translates environmental concern into visual poetry, challenging the throwaway mindset of contemporary life and proposing renewal as a lasting legacy.

I work with fragments of consumer culture—materials designed to persuade, circulate, and disappear—because they carry the stories, excess, and visual language of the world we inhabit. Discarded vinyl street banners, once used to advertise fleeting moments and destined for the landfill, become charged material in my practice: physical evidence of our habits, desires, and environmental impact. Through cutting, weaving, and reconstruction, I intervene in this cycle, transforming commercial refuse into sculptural paintings with rhythm, presence, and narrative. The grid brings order to chaos, while intentional disruptions—spirals and curves—pull against its rigidity, creating tension between control and fluidity that mirrors the material’s own transformation. Fragmentation, layering, and repetition allow the work to shed its former identity and take on a new one rooted in repair, reclamation, and revaluation. Inspired by archaeological remnants and what civilizations leave behind, my work responds to the reality that our era’s ruins will be plastic and vinyl that refuse to decompose. The act of weaving becomes symbolic—binding fragments into unity and suggesting resilience, connection, and meaning reclaimed from what has been discarded. Ultimately, the work translates environmental concern into visual poetry, challenging the throwaway mindset of contemporary life and proposing renewal as a lasting legacy.