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Highly Syndicated Highly Syndicated

Highly Syndicated

Every speck, brush stroke, and pigment all lead to one common goal in this collection of vicariously vibrant works.

Lights in the Window

$148 /mo | $2,200 Purchase

Center Curves Squared

$88 /mo | $1,200 Purchase

Frik-Shuhn: Aperture

$88 /mo | $3,000 Purchase

Frik-Shuhn: Compass

$38 /mo | $2,000 Purchase

Sculpture Garden Hirshhorn by ADRIENNE MOUMIN

Frik-Shuhn: Pillar

$88 /mo | $2,500 Purchase

Sculpture Garden Hirshhorn

$148 /mo | $3,000 Purchase

Blue Wave

$148 /mo | $4,500 Purchase

Snippetree

$38 /mo | $2,200 Purchase
LET'S TALK ABOUT

What Inspired This Collection?

Every speck, brush stroke, and pigment all lead to one common goal in this collection of vicariously vibrant works.

Galaxies

$88 /mo | $2,200 Purchase

Purple Fading into White

$88 /mo | $1,000 Purchase

Magenta Fading into Baby...

$148 /mo | $2,500 Purchase

Diagonals

$450 Framed

Blue Transparency Study

$348 /mo | $4,000 Purchase

Blue Fading into Magenta

$348 /mo | $3,500 Purchase

PARTICIPATING ARTISTS

  • Adrienne Moumin

    Combining black and white photography and collage, Adrienne’s unique perspective uses urban architecture to create abstract shapes. In her "Architextures" hand-cut-and-assembled series, her collages are anything but static, with texture and layering emphasizing their handmade quality. The complex, layered nature of Adrienne’s practice subtly blends fragmented photographs into geometric forms.

  • Thomas Spoerndle

    Things don't exist, only relations. When Thomas reduced down his palette to red, yellow, and blue, it allowed him to treat them as building blocks of larger structures. Circles, oblong triangles, and skewed rectangles march in neat rows from one side of his canvas to another, but when they reach the other side they are no longer what they were before; and even the works themselves transform into snapshots within continuous action when they are seen in a series.

  • Saskia Fleishman

    Is there something prophetic about Saskia Fleishman's name? Because...pardon us for the terrible pun but her landscapes are fully fleshy. In a twist of fate, fluid and ethereal things like cloud or waves of the sea have been built up with sand, while backgrounds of striking techicolor recede away from the material world.

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