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Every speck, brush stroke, and pigment all lead to one common goal in this collection of vicariously vibrant works.
Combining black and white photography and collage, Adrienne’s unique perspective uses urban architecture to create abstract shapes. In her "Architextures" hand-cut-and-assembled series, her collages are anything but static, with texture and layering emphasizing their handmade quality. The complex, layered nature of Adrienne’s practice subtly blends fragmented photographs into geometric forms.
Things don't exist, only relations. When Thomas reduced down his palette to red, yellow, and blue, it allowed him to treat them as building blocks of larger structures. Circles, oblong triangles, and skewed rectangles march in neat rows from one side of his canvas to another, but when they reach the other side they are no longer what they were before; and even the works themselves transform into snapshots within continuous action when they are seen in a series.