For the Activity Planner

Well planned friend group valentines scavenger hunt anyone? They were the kid in school who had chocolates and a note for everyone in the class. From a thoughtful date to an anti-valentines group hang, clean lines and solidly constructed palettes define the love this grounded soul has for others.

Gauthier Denoyelle

Un sapin dans le...

~~$900~~ $600 Purchase

Dimensions: Height 18 in x Width 18 in. Medium: Marker, crayon and pencil on stretched canvas

Evan Ishmael

Bracing Practice

$88 /mo | $1,200 Purchase

Dimensions: Height 24 in x Width 24 in. Medium: Soot and Gouache

Beth Barry

Wave Front

$148 /mo | $2,200 Purchase

Dimensions: Height 24 in x Width 24 in. Medium: Acrylic on Canvas

Joseph O'Neal

Little Birds

$200 Unframed | $345 Framed

Dimensions: Height 10 in x Width 8.5 in. Medium: marker on found magazine page

The artwork 'Protector' by Sasha Hallock features an abstract geometric composition with vibrant interlocking shapes in orange, pink, yellow, and green against a serene light blue background. Bold curved lines and angular forms create a dynamic modern design, showcasing a mixed media technique on paper mounted on wood, measuring 8x6 inches.

Sasha Hallock

Protector

$88 /mo | $600 Purchase

Dimensions: Height 8 in x Width 6 in. Medium: Mixed media on paper mounted on wood

The artwork 'Le Reve' by Gauthier Denoyelle features abstract geometric circles in turquoise and yellow, connected by concentric rings on a split background of vibrant azure blue and light gray. The composition suggests a stylized vinyl record or orbital system, rendered in marker and crayon on canvas with precise linework and bold color blocking.

The artwork 'Le Reve' by Gauthier Denoyelle features overlapping geometric circles in vibrant turquoise and golden yellow, outlined in deep blue strokes. Created with marker, crayon and pencil on canvas, the piece showcases a modern abstract design with clean lines and intersecting curves against a white background. The 18x18 inch composition by Gauthier Denoyelle.

Sold / Rented

Gauthier Denoyelle

Le Reve

$88 /mo | $900 Purchase

Dimensions: Height 18 in x Width 18 in. Medium: Marker, crayon and pencil on stretched canvas

The artwork 'Intervals No.1' by Susan English features a minimalist composition of three horizontal bands in teal, light gray, and mauve. The tinted polymer creates subtle gradients and smooth transitions between colors, with a gentle atmospheric fade in the top section. The panels exhibit a pristine, glossy finish characteristic of polymer medium on panel.

The artwork 'Intervals No.1' by Susan English features a minimalist composition with a stark division between a dominant light gray upper section and a rich burgundy lower portion. The clean lines and color blocking create a striking horizontal contrast, showcasing the smooth application of tinted polymer on panel. The piece's large-scale dimensions of 59x42 inches amplify its contemporary abstract presence by Susan English.

Sold / Rented

Susan English

Intervals No.1

$148 /mo | $8,400 Purchase

Dimensions: Height 59 in x Width 42 in. Medium: Tinted polymer on panel

The artwork 'Glance' by Susan English features horizontal color blocks in a minimalist style. A soft sage green occupies the top third, transitioning to a delicate coral pink stripe in the middle, anchored by a deep forest green base. Created with tinted polymer on aluminum, the 48x38 inch piece showcases subtle color gradients and smooth textural transitions.

The artwork 'Glance' by Susan English features a minimalist composition with a striking contrast between a coral-pink horizon and deep forest green expanse. The surface exhibits a glossy polymer finish on aluminum, creating subtle variations in texture and depth. Fine, organic crackle patterns traverse the upper section, while the lower portion maintains a smooth, contemplative field.

Sold / Rented

Susan English

Glance

$248 /mo | $7,500 Purchase

Dimensions: Height 48 in x Width 38 in. Medium: Tinted polymer on aluminum

Gauthier Denoyelle

Everyone seems to be learning coding now, but it takes a deeply invested one to know the beauty of everything suddenly lining up towards a solution. That moment when a highly elaborate system starts to makes sense is what Gauthier's small drawings feel like. Having studied and worked in data science, his works don't mimic scientific concept - they ARE. But instead of arguing to be completely abstract concepts, they also trace the time and effort taken to reach them, in faint pencil lines, little notes, and the blotted look of marker and crayon.
Evan Ishmael

Evan Ishmael

Evan works from his studio in East Williamsburg, the back wall neatly lined with tools and the slightly sour smell of wood in the air. Considering his sculpture and design background, his command of unusual materials like soot residue, concrete, and spray doesn’t come as a surprise. But you may be surprised when his minimal, even digital looking, compositions start to unfold in poetic layers-- “bracing practice” indeed.
Beth Barry

Beth Barry

Speaking of the subtle ways environment affects a painter’s color choices, Beth’s choices scream East Coast. From the thick of acrylic paint emerges Beth’s impression of landscapes, styles alternating between abstract waves and naturalistic scenery.
Joseph O'Neal

Joseph O'Neal

Joseph's work creates seams by coupling non-objective imagery with written texts such as dates, names, and various words and phrases. The back and forth between the two elements pose an ambiguous field of opportunities for the viewer to exist. Urgency and chance are ever-present in the works as is the dirt on the road to conclusion.
Sasha Hallock

Sasha Hallock

Sasha’s paintings are small but mighty. They sometimes look like fictional sculptures dropped onto the vacuum of vibrant color. Other times they’re like a clutter of found objects. In either case, disparate objects disappear in favor of a whole situation of motion and interaction, tinted with Sasha’s faith in the possibility of true harmony.
Susan English

Susan English

Susan creates her smooth, gleaming pieces through an intuitive method which relies on happy accidents. Watching Susan’s process of pouring paint onto panels is like watching a sunset or waves gently crashing onto the shore. It is an intimate and poignant experience which results in paintings that seem untouched by human hands, as though color and light washed over the surface of the panels by magic. Susan creates an abstract world which is both calming and unafraid, adventurous in both process and experience.

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