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The artwork 'The End...is the beginning' features multiple figures in black attire scattered across a stark white background, with pops of red in their footwear. Created using gouache, colored pencil, and graphite, the composition shows figures in various poses, creating a sense of movement and social distancing. Two figures in bright colors appear in the distance. By Jodie Lyn-Kee-Chow.
The artwork 'The End...is the beginning' depicts figures in black attire against a white background, rendered in loose, expressive brushstrokes using gouache and graphite. Red accents punctuate the composition, creating a striking contrast. The gestural drawing style captures movement and spatial relationships between the figures. By Jodie Lyn-Kee-Chow.
The artwork 'The End...is the beginning' by Jodie Lyn-Kee-Chow features minimalist silhouettes of walking figures in black and white, arranged in a scattered composition on paper. The gouache and graphite artwork is displayed in a white frame above a modern console, complemented by dried pampas grass in a ribbed white vase.
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    Jodie Lyn-Kee-Chow

    The End...is the beginning

    Original Artwork

    Dimensions: 15.7" x 12.2"

    Medium: Gouache, colored pencil, graphite on paper

    $88
    $88
    /month
    Subscription
    $1,100
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      Jodie Lyn-Kee-Chow

      Jodie Lyn-Kee-Chow

      Born in Jamaica / Works in New York City

      Jodie Lyn-Kee-Chow is a renowned Jamaican-American interdisciplinary artist living and working in New York City. Her work explores performance and installation inspired by the nostalgia of her homeland, Caribbean folklore, fantasy, feminism, globalism, spirituality, environmentalism, and migration. Lyn-Kee-Chow’s work has garnered awards including New York Foundation for the Arts Fellowship (2012) and Franklin Furnace Fund (2017-18). Her work is included in several museum collections and reviewed in publications such as the New York Times, Huffington Post, and Hyperallergic.

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      Inside the artist’s studio & life

      Inside the artist’s studio & life

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