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This work emcompasses cool toned colors in addition to Shira’s usual use of plaster and acrylic/pigment. Her abstractions are slowly built and etched away to create a work that celebrates the physicality of its process.
Born in Tel Aviv, Israel / Works in Bushwick, NY
There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.