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The artwork 'Equals' by Mary Didoardo features dynamic swirling brushstrokes in lavender and mint green tones against a light background. Abstract expressionist composition with energetic curved lines and gestural marks creates a sense of movement. Oil paint on wood panel showcases textural elements and spontaneous artistic technique, measuring 40 inches high by 20 inches wide. By Mary Didoardo
The artwork 'Equals' features dynamic swirling white brushstrokes against a vibrant purple and mint green background, creating an abstract expressionist composition. The fluid lines intersect and overlap, suggesting continuous movement and rhythm across the wooden panel. The textural oil paint application adds depth and dimension. By Mary Didoardo.
The artwork 'Equals' by Mary Didoardo features an abstract composition with dynamic swirling patterns in lavender purple and mint green hues against a white background. The oil on wood painting showcases fluid, gestural brushstrokes and overlapping circular forms creating a sense of movement and ethereal depth measuring 40 inches tall by 20 inches wide. Original artwork by Mary Didoardo.
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    Mary Didoardo

    Equals

    Original Artwork

    Dimensions: 40" x 20"

    Medium: Oil on wood

    $148
    $148
    /month
    Subscription
    $5,000
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      Mary Didoardo

      Mary Didoardo

      Works in New York

      Mary’s paintings raise a series of open-ended questions - they don’t demand an answer, but they do ask for your consideration. If you feel compelled to run your finger along the winding, maze-like line of one of Mary’s paintings, don’t worry - so do we (though we don’t recommend it - oily hands and oily paints don’t mix well.) Her take on abstraction is surprisingly tactile, with unique titles which inspire sensations, rather than literal representations.

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