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In We can still be a family and Joyful reunion in springtime we see Sasha incorporating more circular movements and shapes. Combined with their rich green colors, the abstract shape-figures appear semi-organic - true to the titles on the growth of human relationships.
Works in Brooklyn
Sasha’s paintings are small but mighty. They sometimes look like fictional sculptures dropped onto the vacuum of vibrant color. Other times they’re like a clutter of found objects. In either case, disparate objects disappear in favor of a whole situation of motion and interaction, tinted with Sasha’s faith in the possibility of true harmony.