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The artwork 'In Grid 2' by Shira Toren features a minimalist grid pattern on canvas, executed in Venetian plaster and pigment. The composition displays weathered white and off-white squares divided by subtle dark lines, creating a textural abstract surface with distressed marks and gentle color variations throughout the 40x30 inch piece by Shira Toren.
The artwork 'In Grid 2' by Shira Toren features a minimalist composition with intersecting dark lines forming a grid pattern on a textured white Venetian plaster background. Subtle gray and black splatters create an organic contrast against the geometric structure, while delicate pigment variations add depth and visual interest.
The artwork 'In Grid 2' by Shira Toren features a minimalist geometric composition with intersecting grid lines on a weathered white canvas. Created using Venetian plaster and pigment, the piece showcases subtle tonal variations of off-white and gray, with delicate distressing and textural elements throughout the 40x30 inch surface by Shira Toren.
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    Shira Toren

    In Grid 2

    Original Artwork

    Dimensions: 40" x 30"

    Medium: Venetian plaster, pigment on canvas

    $148
    $148
    /month
    Subscription
    $3,000
    Purchase
    Shira paints with and etches into graphite and plaster in her black and gray artwork. The minimalist marks of this painting depict a rough industrial aesthetic. Geometric scuff marks and splatters apply a soft feeling to a colder painting.

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      New York local abstract artist Shira Toren in her art studio and creative process

      Shira Toren

      Born in Tel Aviv / Works in Brooklyn

      There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.

      Inside the artist’s studio & life

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