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The artwork 'There's Something Fishy Around Here' by Petra Nimtz features abstract coral-colored forms floating against a vibrant moss green background. The oil on linen painting showcases textural brushstrokes, with bold orange shapes contrasting against earthy tones, creating a dynamic interplay of color and form. Scattered blue accents and white highlights add depth to the composition.
The artwork 'There's Something Fishy Around Here' by Petra Nimtz features an abstract composition with bold coral-orange forms against mossy green sections. The oil painting on linen showcases textural brushstrokes, scratched surfaces, and gestural marks. Dark navy accents and white highlights create depth, while rough textures suggest underwater movement and organic forms.
The artwork 'There's Something Fishy Around Here' by Petra Nimtz features bold abstract composition with striking coral-orange geometric forms against a vibrant moss-green background. Oil on linen texture creates dynamic brushstrokes and layered effects, measuring 52x36 inches. Modern expressionist style with textural contrasts and organic color interplay.
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    Petra Nimtz

    There's Something Fishy Around Here

    Original Artwork

    Dimensions: 52" x 36"

    Medium: Oil on linen

    $248
    $248
    /month
    Subscription
    $7,500
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      Petra Nimtz

      Petra Nimtz

      Born in Germany / Works in New York, NY

      My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.

      Inside the artist’s studio & life

      Inside the artist’s studio & life

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