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The artwork 'Conversation in Blue' by Shira Toren features abstract flowing lines in deep navy blue against a textured white background. Created with Venetian plaster and pigment, the piece showcases organic curved shapes and dripping effects, evoking a sense of fluid movement. Textural elements and gestural brushstrokes create depth and dimension across the 50x38 inch surface.
The artwork 'Conversation in Blue' by Shira Toren features ethereal vertical drips and organic textures in varying shades of blue and white. Created with Venetian plaster and pigment, the abstract composition evokes a sense of flowing water or winter landscapes through its textural depth and deliberate paint trails against a misty background. By Shira Toren.
The artwork 'Conversation in Blue' by Shira Toren features abstract flowing lines and drips in deep navy blue against a textured white Venetian plaster background. Organic curved shapes suggest movement and fluidity, while deliberate dripping techniques create a sense of depth and spontaneity. The 50x38 inch contemporary artwork combines gestural brushwork with refined plaster techniques.
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    Shira Toren

    Conversation in Blue

    Original Artwork

    Dimensions: 50" x 38"

    Medium: Venetian plaster with pigment

    $148
    $148
    /month
    Subscription
    $4,500
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      Purchase: $4,500
      Subscription: $148 /mo
      New York local abstract artist Shira Toren in her art studio and creative process

      Shira Toren

      Born in Tel Aviv / Works in Brooklyn

      There is a sense of history in Shira's paintings. They are built up patiently like the hands of potters that their surfaces resemble, but left to be scratched and marked by some unknown force. Even the central objects are pressed into the thick layer of venetian plaster instead of sitting on top. In a world of polished surfaces, Shira's use of materials restores the power of time.

      Inside the artist’s studio & life

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