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The artwork 'The Pleasure of Not Knowing' by Petra Nimtz features an abstract composition with a vibrant pink splash against a moody grey background. Connected circular forms create a dynamic white line across the canvas, leading to a soft peach-colored block. The oil painting combines textural brushstrokes, bold color contrasts, and organic shapes on a 54x60 inch canvas. By Petra Nimtz.
The artwork 'The Pleasure of Not Knowing' features abstract forms with gentle curved white lines against a moody gray background, complemented by a prominent salmon-pink rectangular shape and vibrant red accents. The oil painting combines textural brushstrokes and minimalist elements, creating a contemplative modern composition by Petra Nimtz.
The artwork 'The Pleasure of Not Knowing' by Petra Nimtz features an abstract composition with a vibrant red splash against a moody grey background. A spiral line element flows through the center, connecting to a peachy-orange square form. The oil painting combines bold gestural strokes with subtle tonal variations, creating a dynamic contemporary piece measuring 54x60 inches.
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    Petra Nimtz

    The Pleasure of Not Knowing

    Original Artwork

    Dimensions: 54" x 60"

    Medium: Oil on canvas

    $248
    $248
    /month
    Subscription
    $6,500
    Purchase

    The work comes with a Certificate of Authenticity signed by the artist.

    Your monthly rental payments accumulate and get deducted from the purchase price if you decide to buy the work.

    This artwork can be quickly cleared and rented for the duration of production, and can be delivered physically or as a high resolution download with printing rights.

      Petra Nimtz

      Petra Nimtz

      Born in Germany / Works in New York, NY

      My work develops from the physical process of painting. Compositions are not planned or created, but found; they emerge somewhere along the way. To me ,what matters, is the act of painting itself. Having no concept in mind frees me from rules, elements of style and formal techniques. Usually I start a new canvas with gestural mark making or shapes. Using brushes, palette knifes and rags the oil paint is applied thickly, building layers. One mark here leads to another over there. I work on more than one piece and so a conversation between the them begins. What I do on one canvas has an influence on the other and vice versa. A unique aspect of my painting process is the fact that I have trained myself only to use my left hand although I’m right handed. I’m using the left side right brain connection which is all about imagination and not controlling anything. My artwork is a way to express what I cannot say with words.

      Inside the artist’s studio & life

      Inside the artist’s studio & life

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