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A popular material in Medieval painting, egg tempera in Through the Blues created thick, opaque colors. You can see its full effect in the short, chunky brushstrokes visible time to time within planes of blue and magenta. This painting plays with negative and positive space like Debbi’s other paintings, but is more notably architectural - although even here the artist doesn’t forget to confuse our perspective of depth.
Works in NY
Debbi's works are sneaky in a sense that, instead of denying the existence of a frame, they subtly push against and peak out from it (have you noticed the pairs of eyes in some of her paintings?) Neat square pieces on the outer boundaries of the frame devolve into patterns, curves, and patches of sprayed paint. Some of Debbi's paintings actually look like puzzles, challenging you to play an active role - only to reveal that, in the end, her puzzles yield fun for the sake of it rather than a finished picture.