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This painting exemplifies Liz’s interest in throwing an awkward piece of patterns into her painting - as she calls it, “throwing a wrench”. The rest of the painting, however, still adapts and molds around the seemingly foreign element.
Works in Brooklyn
Liz's compositions in oil look like they are made of different materials - yarn, water, dirt, grass, and is that colored paper? It's what we imagine amoeba playgrounds look like, one we could jump on a field trip in an episode of Magic School Bus. Although there is nothing "realistic" per se, you will notice little traces of movement left behind by inhabitants of this world in droplets, hatched marks, fuzzy lines, and repeating waves. Read more from our interview with LizYou'll love Liz if: your IG grid is full of close-up shots of random objects